DISCLAIMER: References to features of religions or faith beliefs do not necessarily mean that the authors, Terry Wilson, Matthew Costello, and Yoshitoshi ABe (or anyone else for that matter), take them seriously. All characters featured are new; none appear in either FWL, Doom 3, or Haibane Renmei. Also, don't forget that this is a work of fiction, not prophecy. Past characters created by the other authors are mentioned in this story. Their histories and personalities are modified and filled out by Terry Wilson in ways that the original authors probably do not intend. This means that what is said about these characters is not what fans call "canon", that is, it is not a part of their existence in their own worlds. This story was written by Terry Wilson, who makes no copyright claims against the concepts of the other authors. This work will never be commercially published without the permission of the copyright holders for all three worlds. [Special Notes: Haibane Renmei is not featured in this Chapter; Events are set in the environments of the actual Doom 3 game.]
The transport docks and its three doors open, the lower of which forms the ramp. Two people emerge from it, a younger man in combat armor with a shaved head and an intimidating weapon case, and an older man who's naturally bald, wears a business suit and a very frustrated look. [Author's note: the modern twenty-sixth century business suit is a set of grey coveralls and the necktie has been apparently forgotten, but hey, Swann does have really cool shades!]
Counsellor Elliot Swann, a look of frustration on his face, mutters, "I can't believe it's come to this, I didn't want to come here."
Sergeant Jack Campbell, clearly his friend, responds, "He left you no choice."
"True," the balding lawyer acknowledges, "but this is the last time. I'm tired of running damage control every time he makes a mess."
"Right," sighs Campbell laconically, "you're the 'control' and if that fails, I'm the 'damage'."
Swann responds, "If that's what it takes. Betruger is going to start doing things our way."
After the two depart towards the security checkpoint, a panicked looking young lady emerges from the transport, her loose blonde hair blowing about in the chaotic convection currents of the hangar. She drops her small duffel bag and starts to gather it up.
As she ties it into a bun, the Marine guarding the platform says to her, "You need to get to Marine HQ, report to Sergeant Kelly ASAP."
We know her as Tatakai ... but not like this ... not nervous and fidgety and constantly a minimum of five minutes behind the ball. She nods nervously, embarrassed at being so unprepared for docking.
"They get the trip over with fast, eh?" the Marine offers.
"Faster every time it seems," she mutters as she grabs her bag and heads up the stairs.
At the security checkpoint, she enters a room which has two pads.
The officer on the other side of the window (which is made of an exotic new composite containing, among other things, a transparent aluminum nitrate compound making it nearly as tough as steel) greets her through the audio repeater built into the window, "Welcome to Mars, Marine."
One she recognizes has just scanned her Marine instructor, Sergeant Jack Campbell. From the other she learns the name Elliot Swann. I can't believe I didn't find out his name during the trip, she thinks. I'm not a spy, I keep telling them that!
"I'm gonna need you to step on one of those red squares on the floor for a bioscan," the officer says, "This'll only take a second."
She dutifully complies, stepping on the second pad, catching the faint familiar scent of her Marine instructor still lingering where he stood a few moments earlier.
"Okay, let me get this started," he says.
Suddenly nervous about her scratched transponder, she reaches for it with her right hand, rubbing the skin over it on the right side of her neck as though scratching an itch.
"You're gonna need to hold still, moving around only make the test take longer," he says as the scanners pour over her body. She sees behind her the screen reflected in the window. None of her hidden equipment shows up in the scan, and she breathes a sigh of relief. Scratch is pretty amazing stuff, she thinks.
"Alright, bioscan looks good," he says as it completes, "You're cleared for entry."
Tatakai (as we know her), passes through the second door, officially into Mars City, the oldest of the facilities United Aerospace Corporation built on Mars. She steps back briefly into the chamber to say to the officer, who stares at the screen with a look of awe, "Kelly might not mind, but don't let Sergeant Campbell catch you looking at my scan."
The embarrassed officer closes the image of Tatakai's virtual strip search and smiles sheepishly at her.
After checking in and getting her Personal Data Assistant, she advances down the corridors to Marine Command, which overlooks the hangar's approach lane. On the way, she hears an ominous voice say, "Why, exactly, are you here?"
She emerges into the monorail lobby and looks left to see him, Dr. Malcom Betruger, sitting across from Swann. Campbell stands between them and the window, his back facing her.
"I'm here," answers Swann, "because there seems to be some very serious problems."
"Oh really!?" retorts the scientist, the iris of his right eye seems to have grown over its pupil, "Do I need to remind you of the groundbreaking work that we're doing here?"
"No," answers the Counsellor calmly, "but I've been authorized by the Board to look at everything."
"The Board authorized you?" the insolent scientist scoffs.
Tatakai reflects the thought, The Board, recalling her own hidden agenda.
"Hmm. The Board doesn't know the first thing about science," Dr. Betruger says in arrogance as he turns away from the Counsellor and her, "All they want is something to make them more money, some product." Tatakai notices his whole demeanor says he's up to something. "Don't worry," he assures Swann ironically, "they'll get their product."
Swann, apparently still in the dark on Betruger's purpose, "After how many accidents? Tell me, Dr. Betruger, why are so many workers spooked? Complaining? Requesting transfers off Mars?"
Betruger answers, "They simply cant handle life here. They're exhausted and overworked," then turns back to Counsellor Swann. "If I had a larger, more competent staff and bigger budget even these few accidents, could have been avoided."
"I'm afraid you'll get nothing more until my report is filed with the Board. I will need full access, Dr. Betruger, Delta included," the Counsellor calmly demands, "I wont' have any difficulties doing that, will I?"
Tatakai suddenly notices that Sergeant Campbell is looking right at her. Slightly startled, she offers him a polite wave. Surely he must know that I can hear through the window, she thinks, I hope he's on our side.
"Only if you get lost, Swann," Betruger explains, "Just stay out of my way. Amazing things will happen here soon. You just wait."
Betruger is lost, the secret voice whispers to Tatakai. The question she's about to ask her Saviour is answered as well, Don't worry, sis. I will protect them.
Swann notices how distracted his bodyguard is and (unlike in the game) gives him a nudge in the shoulder, "Let's go."
Tatakai walks slowly past the window, observing as her suitor, and his boss, leave Betruger's Mars City office. Betruger himself turns to a computer station and opens a file to something Tatakai recognizes, the U1 Artifact, nicknamed the Soul Cube. After this, she hurries on her way to Marine Command, lest Sergeant Kelly become suspicious of her true mission.
On the way, she rounds a corner and with the "Kitchen" (actually resembles a Commons) to her right, she decides it would be a good idea to go to the washroom.
As she crouches to do her business, she hears whispers coming from the ventilation grille. She holds out her hand and whispers back, "Saviour's light" and the whispering silences with a breeze she can actually feel over her hand.
Bad idea, the voice in her head sighs, Now they are onto you, and you will have no time at all to prepare before the attack.
Tatakai suddenly stops. It is a most inopprotune moment to get attacked, so she finishes her business and quickly leaves. I need a weapon, she thinks. She recalls the call she got an hour before her transfer.
Flashback: "Your instructor has been assigned as the Counsellor's bodyguard, as usual. The Board is expecting trouble obviously."
"Why do you need me?" she mutters alound from her chair, dressed in her nightclothes. She continues to question the orders mostly because she knows the Director of Systems can't possibly hear her, ten light minutes away from the Marine Training Center. He's on Earth, she's on a space station, and she likes the ability to talk back with impunity. "With Campbell, they have lots of firepower, and I've never seen the guy miss ... what more do you need?"
Hogosho Kurato (a descendent of Juubi and Haifun from a few generations ago) continues, "But we need a Featherwing," he explains. "The Saviour specifically asked for you." The screen goes blank.
Tatakai knows in her heart that he's right. She has her own channel to the Saviour, one that is not limited to the speed of light. She feels Hogosho praying for her in her wings.
After making sure that her hair is secure enough, she walks the final corridor between Marine Communications and Marine Command. The door opens.
"Took your sweet time, Marine?" Sergeant Kelly greets her, then adds, "I can see why."
Sexist jerk, she thinks [Author's note: "I can see why" is not in the original monologue.]
"Another member of the science team's gone missing," he explains, "Since you're the ranking FNG, you get to find him. I want you to check out the old decommissioned comm facility. We heard he might be headed that way. The only way there is the service passage under Mars City."
Tatakai smiles inside herself: that's where she was planning to set up her scratched link with Earth.
"Sir- Sergeant," she corrects herself, "I haven't been issued any gear."
"Pick up some gear at the security checkpoint at the bottom of the elevator," he explains, "I've programmed this sentry to guide you to the maintenance elevator. I hope you follow this sentry better than you've followed orders so far."
"I've studied the base schematics," she protests, "I don't need a robot to guide me by the hand."
The look on his face tells her that arguing was a mistake. Fortunately he seems to overlook it for the moment and tells her, "Oh, when you find him, just bring him back, do not hurt him."
She comes smartly to attention and marches off, trying to look like a smart FNG. She's ahead of the Sentry all the way to the maintenance elevator. She's about to enter it, when she hears the Saviours voice again.
Three nine six, he says.
"What?" she turns to her right. Up a few steps over top of some utility pipes sits a security locker.
She hears it again, Three nine six.
She enters the access code and it unlocks. She lifts the rolling shutter to discover a damaged coolant manifold. The Saviour explains, How it got that way is a mystery to technician who replaced it. It is, however, plainly obvious to her what caused the damage.
Weapons fire.
More specifically, it was caused by a plasma rifle. Not a Series 3, but something more powerful. She also discounts the BFG, thinking, Not that powerful. She notices something behind it: a velcroed canvas "mailbag" as they are affectionately referred to. She guesses it's not the maintenance report because that's sitting on the document shelf above the manifold.
She finds pistol ammunition. She hurriedly puts it in her belt and gets in the elevator. God, what is going on? she thinks.
She makes her way through the sublevel to her destination, carrying the pistol issued to her by Terry Brooks, the security guard at the checkpoint. She longed for the shotgun and PDW ("Machine Gun", but resembles a Fabrique Nationale P90) from the other storage locker.
She's looking for a Jonathan Ishii, but she's also looking for the old control center. She reaches for the door, but as she does so, she hears the Saviour, The attack begins.
Tatakai recoils in fear. She has no idea what to expect, so she draws her weapon before opening the door.
"Huh, no, no," Dr. Ishii says as she enters. "Please, you must let me get this communication out. They must be warned while there is still time."
Tatakai realizes they are on the same side and holsters her handgun. "Sorry, there is no time." She moves to the controls, pressing a couple of keys and popping a maintenance access panel below, pulling out her scratch bottle.
"System's activated. Teleportation in Three ... Two" it is the voice of the computer, a soft female voice.
Tatakai abandons her task, and the bottle of scratch/alcohol as she rises to see a screen labeled "Delta Sector 4". Dr. Malcolm Betruger is standing in front of it, holding the Soul Cube. "Ah, crud," she says.
Dr. Ishii continues, "You don't know what I've seen. You can't possibly understand or comprehend..."
Dr. Betruger steps through the now activated teleportal. [Author's note: This is not depicted in the game, but it is obvious from what you hear later from a character named Ian McCormick in Delta Sector 2a, that this is what is happening.]
Dr. Ishii explains to her quietly, gravely that, "The devil is real. I know ... I built his cage."
A technician in Delta 4 suddenly cries, "I'm getting abnormal readings here."
Ishii gasps, "Oh, God."
The technician's voice again, "This is bad!! I can't hold these levels, we're losing it!"
Tatakai turns to the scientist and grabs him by the shoulders. She urgently says, "God is irrelevant if you don't know the Saviour," she shakes him gently, "Do you know the Saviour??"
"Saviour?" he gasps.
Tatakai turns away, grabbing her radio, waiting for a message to finish, "We have unidentified movement coming from all over the base."
"Dr. Betruger has taken artifact U-1 into the Delta 4 Portal. I say again. Dr. Betruger has taken artifact U-1 into the Delta 4 Portal," she cries urgently, watching people, especially well armed ones, succumbing as ghostly skull-shaped spirits tear their spirits from their bodies.
Then she realizes that it is happening to Dr. Ishii, right next to her. She grabs her scratch bottle from the floor, then grabs his shoulders.
"Call the Saviour," she urges, "His name is-"
He suddenly throws her arms off, and with no pupils in his glowing eyes, swings his arm at her. She blocks the blow and hits him across the face with the scratch bottle, then pushes him against the wall with both hands.
It is a zombie, she realizes. Succumbing far faster to the tiny bit of diluted scratch than anyone ever has before. It collapses at her feet, smoking as its temperature soars past the boiling point of water. Never has she seen anyone's body temperature fluctuate so wildly, dropping to room temperature as his soul was wrenched from his body, and now rising as it sizzles.
The door opens, a Marine with a pistol emerges.
Tatakai says to him, "We need to set up a-"
BANG! The round's impact is distributed about her chest by the armor she's wearing. I was just hit by live ammunition, she realizes as the zombie prepares to fire another round, probably into her head.
She is frozen in her thoughts, unable to comprehend what has just happened to her. She thinks she is in the process of dying, but...
Somehow she sees three posts and a flash. BANG! Her weapon is in her hands and firing at the zombie. She decides to aim for its head. BANG! The sound of its weapon is drowned out as the round goes over her right shoulder into the wall behind her. Her well-trained mind does not allow her body to react, merely filing away the fact that enemy fire was a couple of centimetres away from killing her.
After her third shot hits its head, she realizes that its nervous system must have been transformed. It is far harder to "kill" than any human. It takes three more rounds before Tatakai no longer considers it a credible threat.
Six rounds? she gasps, How do you survive three headshots, even in the twenty sixth century?
Sergeant Kelly is on the radio, "All units, this is Sergeant Kelly. We are under attack by an unknown enemy force. Fall back to Marine HQ to regroup. I say again: fall back to Marine HQ and await further-"
"Sergeant," Tatakai radios, "Dr. Ishii was captured by the enemy ... I had to kill what was left of him. Only those who know the Saviour are immune."
She turns around to see that Dr. Ishii's body has completely vaporized. She realizes that scratch is effective against these creatures and drops the magazine out of her weapon to pour a swig of her bottled scratch over the bullets, then reinserts the clip and chambers a round thus treated. She takes a few seconds to treat the rest of her ammunition as she listens to her radio.
Hell has broken lose. A phrase usually used metaphorically is now quite literal. She knows from Hogosho's briefing where the teleportals lead. She knows from medical reports that only Featherwings and Saviour-spawn are invulnerable to the soul-stealing spirits that have just emerged from the Delta Four hellgate. In a few moments, ninety-seven percent of the population of Mars will be her enemy, and the remaining three percent almost certainly confused and unarmed because the UAC regularly bypasses the relevant human rights laws and discriminates against the openly religious. She is the only Featherwing on the planet.
She sees Ishii's incomplete message on the comm console and reaches underneath with the scratch bottle and hoses the electronics with it. Shen then deletes the long-winded letter and types her brief message for the Board:
"TATAKAI IS HERE"
An interesting codename, she thinks, the Japanese word for "battle."
Upon commanding it to send, it cuts to a video feed of the satellite uplink room, where she painfully watches a zombie strangle the helpless operator. She hammers the console with her fist. Her attempt to realign the transmission dish with Earth is met with the message "REMOTE ACCESS DISABLED".
Her way back to the control centre elevator is blocked by a broken oxygen pipe and the fire it is supporting. The unarmed zombie emerging from the fire drops with one round. Her scratch is working.
Later, she encounters a damaged door. She considers flying across to a catwalk, but that she should still keep secret her wings. She uses a maintenance access bridge to find an alternate route through Energy Processing.
A shotgun.
The short detour to pick up this weapon is irresistible, so she goes for it. To her alarm, the floor drops away. It is a lift to nowhere, she realizes. A nowhere three zombies wait for some sucker like her. She drops the enemies with her scratched pistol. What surprises her, is that the shotgun was actually loaded. It doesn't make much sense as a trap, but she shrugs it off and climbs out of the hole.
Over the next minute, she discovers that zombies have shotguns too. She isn't looking forward to the ones who have plasma rifles.
She passes through a storage area and opens a door next to an emergency medical station. The way to the left, which she knows is just an office, is blocked by a fire from a broken pipe. As she turns right she hears for the first time a cry that will haunt her over and over again for the rest of her life.
The Imp jumps from where the broken pipe, along with several intact ones, passes through the wall ... across the hallway, then into the middle, whence it stands. Tatakai's reflexes take over and she steps up to it as its right hand starts go glow. Her right hand, Tatakai realizes. Tatakai presses the muzzle of her shotgun against the creature's chest and blows it into the fire, where its body disintegrates. Tatakai does not realize that this is only the first of several hundred such creatures she will claim in her lifetime as a soldier in the losing war that is now only four minutes old.
She emerges from Energy Conversion into the lift area behind the security checkpoint. This is the sublevel's logistics area. She hears the lift platform's supporting cables starting to give out as she sees her fourth Imp climb over the railing. She blasts this one into the cavernous storage area below, then gets clear of the crane's falling load.
After the first flight of stairs from the Energy Conversion exit, she sees on the other side of the cavern, a Maintenance Storage area with no obvious means of access. I could just fly there, she thinks. Then she realizes the door is locked anyway, so there's no point.
The security office is guarded by another Imp, which finally gets away a fireball. Tatakai immediately recognizes that this is what damaged the coolant manifold she found just before she descended to the sublevel. Caught at long range, where the shotgun's laughable scatter pattern is useless, Tatakai switches to her pistol and executes the creature.
Once in the security office, she finds Brooks unconscious, holsters her weapon and shakes him.
"Brooks, Brooks," she cries, checking his pulse. He is cold, dead. "They got you too," she sighs.
They got him alright. His body snaps to "life" and it is everything she can do to keep his shotgun from lining up with her head. With no alternative, she deploys her wings for the first time since she arrived on Mars and scratches him with her left alula claw.
The creature warms up immediately, and Tatakai momentarily thinks the scratch might bring Brooks back into his body. Its temperature continues to soar and she watches as it disintegrates into flaming bits.
"Poor fella," she laments, then furls her wings. She finds his console still logged in, and opens the checkpoint area. Then she discovers that she can bring up an access panel and open other areas of the sublevel. Brooks' account has only two areas available to it: the maintenance storage area across the logistics cavern, and the other weapons locker.
Going back into the lift area, where another armed zombie waits for her, she sees that she has indeed unlocked the door to that room. She deploys her wings and flies across (after killing the zombie, of course) and lands hard in front of the door. She goes inside and discovers plasma rifle ammunition and a medical station. She patches herself up, takes the ammo and wonders why there is no plasma rifle. After flying back to the lift operator platform, she heads back to the elevator.
[Author's note: Your PC does not have wings, use your flashlight to look for a tightrope.]
Tatakai emerges into the sublevel's "lobby" to find another Imp dropping out of the ceiling.
"No!" she cries, blasting it with her shotgun, "God, will it ever end! Is everyone lost? Is everyone dead!?"
As she grabs her PDW, another Imp shows up at the door, from where she just came from. She fires a short burst from the rifle, forgetting that it has no scratch. It does hardly any damage to the creature. It is able to fire a fireball, which Tatakai only barely avoids and gets singed as hits the wall behind her. She drops the creature with a single round from her pistol.
She ignores Sergeant Kelly on the radio as he says, "Greenborough, the fact of U-1's existence is highly restricted information ... I don't know how you found out, but watch what you say on the radio from now on!"
She holsters the rifle and goes back to her shotgun. Somehow she barely feels the weight of her weapons and ammunition as she opens the door.
She remembers seeing him in Mars City a few minutes after she arrived. Less than an hour ago. His face is familiar but for the wrinkles, Takaya eyes, and wicked grin, now waits in the elevator to ambush her. Before he can shoot her with his pistol, she blasts him in the chest with her shotgun, then she collapses into the elevator beside him. [Author's note: Natsuki Takaya drew Fruits Basket, she almost never drew pupils.]
As she draws his lids over his eyes, she worries, What if I have to do that to a friend ... to Jack? "God!" she cries aloud, "I'm just not cut out for this, why did you bring me here?"
"Remember who you're talking to, Tatakai," her Saviour answers. "I created you myself. And like it or not, you are cut out for this. Get used to it."
The distinctive sound of the shotgun's action fills the elevator as she chambers the next round. She rises to her feet as the elevator finishes its ascent back into Mars City. Her Marine radio is very quiet now. She assures herself that Kelly must be Saviour spawn if he's lasted this long. It has been only nine minutes since the containment of the Delta 4 portal failed.
99% of the human population on Mars is gone, she realizes. In just nine minutes. What will the final battle on Earth be like? "Be patient," her Saviour assures her, "You will find out." I'll just have to get used to it, she realizes as the elevator opens.
-----------Author's Message------------
I want a positive hit for when you google "doom 3 christian". I did this search mostly by accident and got a lot of "I feel dirty..." and "Doom 3 is occult and satanic..." and "You'll go to hell if you play." (Oh, you will go to Hell if you play, it's the 19th level!!) I thought this was pretty funny:
http://www.doom3portal.com/fanart/displayimage.php?image=doom3_christian_version.jpg
But really? What is so bad about Doom 3? I mean, aside from the fact that the good guys are never mentioned. I mean good guys of course, in the sense of angels vs. demons. Doom 3 has lots of demons, and they vaporize when they die, which is really cool. But Doom 3's good guys number just three: two anodyne Marines (your PC and Jack Campbell) and one lawyer!
Um, yeah ... that's a really attractive formula for Armageddon on Mars. It actually does work, so don't read too much into the sarcasm.
Why not play an angel?? Of course demons in Doom 3 aren't like real demons, which are spiritual creatures you can't normally see, touch, or shoot. You can pray against demons, but as one who's experienced this, I can't say it's as fun as playing Doom 3. Actually, it is not a pleasant experience at all: I give an example in the story above, where Tatakai is in the washroom. Check it out in the game, you can actually hear whispering voices, they are strongest in the last stall (but unlike Tatakai, you can't do anything about them.) You don't want to be in that situation in real life, even if you do know the Saviour (although it is infinitely less unpleasant that way.)
So, if demons in Doom 3 aren't like real demons, what would Doom 3 angels be like? Well... probably the featherwing being is the spitting image of a Doom 3 angel. Both have exotic mystical powers and can do strange things to the human soul. Both lead primarily physical existences on the same plane as humans. The soul stealing spirits in Doom 3 are much more powerful than the scratch poison of the featherwings, and the equivalence is why I made scratch so powerful against the Doom 3 creatures.
I also wanted to show Tatakai in her noob days. The Tatakai that lives in Glie? She's lived and died as a warrior, and is brought back as one. This is all second nature to her. Sure, she still cries when a friend gets wasted, but it would get this early Takakai much worse. She's good at fighting because she's been through training, but it isn't her life, yet. She never gets to enjoy fighting, which is one of the things I love about her. To her it is just a job, even if it is her life and purpose. Even if Tatakai exists to fight, she doesn't want to believe that. She believes that she exists to be in her relationship with God and with others on Earth.
I've projected a lot of myself into this character: I have been through five different churches and have been ripped off by every Christian I've ever given an opportunity to, except one (assuming perhaps incorrectly that he calls himself a Christian.) The beginning of the Cascada song Who Do You Think You Are? (Track 9 of Perfect Day) describes my experience with Christians very well:
Why can I still believe in tomorrow,
When all I have tried was just in vain
Is it worth the fight I couldn't start believing
that those feelings who died could face the pain
The rest of the song does too, but this first verse really does hit the nail. I know that I share this experience of Christians with many others, both those who do and those who do not know the Saviour (that would be Jesus Christ, by the way. But do note that I'm not calling all who know Christ "Christian", nor am I saying that all Christians really know the Saviour.) So I've seen the blind leading the blind, and I've had the blind lead me. I've followed the blind and asked them, "Are you sure you know where you're going?" I've even had them say emphatically that they do, even when it's like 0:28 to 1:07 of this Halo 3 montage:
http://www.youtube.com/watch?v=YC0FEm2U0yg
My experience is not limited to "normal" Christians, like Alliance, Pentecostal, Baptist, United, Anglican, and Catholic ... I've also seen Jehovah's Witnesses and Mormons misbehave.
All this negative "Christian" experience is why I avoid using the term, even when I want to refer to the same concepts. Hence, "Saviour" and "saviour-spawn." I don't want the Saviour that I know to be associated with the Jesus Christ that all these churches have constructed in the public mind.
You'll always hear Christians say, "Jesus loves you!" and its obvious that they don't care enough to adapt the message to the audience or explore it in new and exciting ways. All but one ... maybe two of the hundreds of Christians that I have met would cringe in agony and probably even run from the sound of my voice when I put it this way: "The Saviour I know actually gives half a flying f**k about where you are going to spend eternity! That's why he volunteered to be crucified by Romans who really wanted him to suffer." (Yes, he lets me put it that way, even without the asterixes ... and there are no Christians around to argue with me at the time of writing.)
In my opinion, you really haven't experienced the Saviour until you've heard him use the f-word and say things like, "Hey, get used to it," when life throws you curveball after curveball and you're missing your left nut (or ovary) because of a bad pitch. I have had him say stuff like that through the mouths of other people. I don't think she used these exact words, but someone praying for me at Full Gospel Church on 15th Ave SW in Calgary said the Saviour's words in December of 2002: "Terry, I have put you on this earth for shit like this ... get used to it." He was real specific about the first time hurting the worst. This was after the second of those five churches that I got shafted by (Full Gospel is not one of them.)
That's my rant for this month. See you in August :p
Wednesday, July 22, 2009
Wednesday, July 15, 2009
About Fire: Garth Brooks and Indestructible
There exists two songs which have a very interesting contrast, perhaps they agree more than I thought at first glance:
Inside the Fire by Disturbed, Album: Indestructible, Track 2, Reprise 2008 (part of Warner Music Group?)
Standing Outside The Fire by Garth Brioks, Album: In Pieces, Track 1, Liberty 1993
YES I ADMIT IT: I'M WEIRD ... I LISTEN TO ROCK, DANCE, TRANCE AND (gulp) COUNTRY MUSIC!!
I figured I just had to get that out of the way so the comment box doesn't get filled with such comments (it probably will anyway.)
The jist of the older song is pretty simple: Life is not tried, it is merely survived, if you're standing outside the fire
The newer song has a similar chorus: Release your life to begin another time ... take your place inside the fire with her
They come from remarkably different directions. Garth Brooks is talking about people who take big chances with life (the video features a person with a disability.) Mike Walgren (Disturbed vocalist) had a girlfriend who committed suicide (really, not just in the music video.)
Standing Outside The Fire is a challenge to those who don't leave their comfort zones: Go out and accomplish something.
Inside The Fire is written as a taunt by the devil, one which taunts Mike's character in the video to commit suicide in order to join his girlfriend in hell.
Where the two songs meet is in rehab centres, family shelters, and rape treatment centres, where you have people who are a mess and need love. There are also communities of addicts and other screwballs who can take you down with them. The Featherwing Brotherhood is a rather interesting organization with some characteristics of both ... a place where these two songs can meet and say almost exactly the same thing.
--------Standing Outside The Fire--------
We call them cool:
Those hearts who have no scars to show
The ones that never do let go
And risk the tables being turned
We call them fools:
Who have to dance within the flame
Who chance the sorrow and the shame
That always come with getting burned
But you got to be tough when consumed by desire
'cus it's not enough just to stand outside the fire
We call them strong:
Those who can face this world alone
Who seem to get by on their own
Those who will ever take the fall ['never'?]
We call them weak:
Who are unable to resist
The slightest chance love might exist
And for that, forsake it all
They're so hell-bent on giving
Walking a wire
Convinced it's not living
If you stand outside the fire
Standing outside the fire
Standing outside the fire
Life is not tried, it is merely survived
If you're standing outside the fire
There's this love that is burning
Deep in my soul
Constantly yearning to get out of control
Wanting to fly, higher and higher
I can't abide standing outside
The fire
Standing outside the fire
Standing outside the fire
Life is not tried, it is merely survived
If you're standing outside the fire
Standing outside the fire
Standing outside the fire
Life is not tried, it is merely survived
If you're standing outside the fire
Standing outside the fire
Standing outside the fire
Life is not tried, it is merely survived
If you're standing outside the fire
--------Inside the Fire-------- [Note: original girl's name is Devon; Haifun is the name of the Featherwing Love lady.]
(Laughs)
Oooooh, Haifun won't go to heaven
she's just another lost soul about to be mine again
Leave her, we will receive her
It is beyond your control, will you ever meet again?
Haifun, no longer living
Who had been rendered unwhole as a little child
She was taken, and then forsaken
You will remember it all, let it blow your mind again
Haifun lies beyond this portal
Take the word of one immortal
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
Sever, now and forever
You're just another lost soul about to be mine again
See her, you'll never free her
You must surrender it all if you'd like to meet again
Fire for your desire
As she begins to turn cold for the final time
You will shiver, till you deliver
You will remember it all, let it blow your mind again
Haifun lies beyond this portal
Take the word of one immortal
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
...
Take me away, yeah
...
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
Oooooh, Haifun, no longer living
Who had been rendered unwhole as a little child
She was taken, and then forsaken
You will remember it all, let it blow your mind again, man
Inside the Fire by Disturbed, Album: Indestructible, Track 2, Reprise 2008 (part of Warner Music Group?)
Standing Outside The Fire by Garth Brioks, Album: In Pieces, Track 1, Liberty 1993
YES I ADMIT IT: I'M WEIRD ... I LISTEN TO ROCK, DANCE, TRANCE AND (gulp) COUNTRY MUSIC!!
I figured I just had to get that out of the way so the comment box doesn't get filled with such comments (it probably will anyway.)
The jist of the older song is pretty simple: Life is not tried, it is merely survived, if you're standing outside the fire
The newer song has a similar chorus: Release your life to begin another time ... take your place inside the fire with her
They come from remarkably different directions. Garth Brooks is talking about people who take big chances with life (the video features a person with a disability.) Mike Walgren (Disturbed vocalist) had a girlfriend who committed suicide (really, not just in the music video.)
Standing Outside The Fire is a challenge to those who don't leave their comfort zones: Go out and accomplish something.
Inside The Fire is written as a taunt by the devil, one which taunts Mike's character in the video to commit suicide in order to join his girlfriend in hell.
Where the two songs meet is in rehab centres, family shelters, and rape treatment centres, where you have people who are a mess and need love. There are also communities of addicts and other screwballs who can take you down with them. The Featherwing Brotherhood is a rather interesting organization with some characteristics of both ... a place where these two songs can meet and say almost exactly the same thing.
--------Standing Outside The Fire--------
We call them cool:
Those hearts who have no scars to show
The ones that never do let go
And risk the tables being turned
We call them fools:
Who have to dance within the flame
Who chance the sorrow and the shame
That always come with getting burned
But you got to be tough when consumed by desire
'cus it's not enough just to stand outside the fire
We call them strong:
Those who can face this world alone
Who seem to get by on their own
Those who will ever take the fall ['never'?]
We call them weak:
Who are unable to resist
The slightest chance love might exist
And for that, forsake it all
They're so hell-bent on giving
Walking a wire
Convinced it's not living
If you stand outside the fire
Standing outside the fire
Standing outside the fire
Life is not tried, it is merely survived
If you're standing outside the fire
There's this love that is burning
Deep in my soul
Constantly yearning to get out of control
Wanting to fly, higher and higher
I can't abide standing outside
The fire
Standing outside the fire
Standing outside the fire
Life is not tried, it is merely survived
If you're standing outside the fire
Standing outside the fire
Standing outside the fire
Life is not tried, it is merely survived
If you're standing outside the fire
Standing outside the fire
Standing outside the fire
Life is not tried, it is merely survived
If you're standing outside the fire
--------Inside the Fire-------- [Note: original girl's name is Devon; Haifun is the name of the Featherwing Love lady.]
(Laughs)
Oooooh, Haifun won't go to heaven
she's just another lost soul about to be mine again
Leave her, we will receive her
It is beyond your control, will you ever meet again?
Haifun, no longer living
Who had been rendered unwhole as a little child
She was taken, and then forsaken
You will remember it all, let it blow your mind again
Haifun lies beyond this portal
Take the word of one immortal
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
Sever, now and forever
You're just another lost soul about to be mine again
See her, you'll never free her
You must surrender it all if you'd like to meet again
Fire for your desire
As she begins to turn cold for the final time
You will shiver, till you deliver
You will remember it all, let it blow your mind again
Haifun lies beyond this portal
Take the word of one immortal
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
...
Take me away, yeah
...
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
Oooooh, Haifun, no longer living
Who had been rendered unwhole as a little child
She was taken, and then forsaken
You will remember it all, let it blow your mind again, man
Thursday, July 9, 2009
Visions: Somewhere (Original FWL)
--------Somewhere by Within Temptation--------
Lost in the darkness, try to find your way home
I want to embrace you and never let you go
Almost hope you're in heaven so no one can hurt your soul
Living in agony 'cause I just do not know
Where you are
I'll find you somewhere
I'll keep on trying until my dying day
I just need to know whatever has happened,
The truth will free my soul
Wherever you are, I won't stop searching
Whatever it takes, need to know
---------------
These lyrics are abridged because this is a song which has been treated very badly by its distributor (Warner Music Group) on Youtube, which has a graveyard of shattered Somewhere music videos (including some which contain official Within Temptation video content!)
The song describes the mindset of the character named Alice throughout most of Featherwing Love.
In this context, "scratch" selectively erases the memories of its victims to protect the secrets of the featherwings.
-------Chapter 11D Alice and the Scratch-------
27: “I said we never need to kill anyone to protect our secrets … this is why, Alice,” Kisure is moving the desk back into position, careful not to bang his wings into objects the room’s camera can see. “I’ve been scratched,” Alice realizes, getting pretty weak. “Yes ... please understand that without your confidence, we had no choice.”
28-29: “They [the wings] are so amazing,” Alice sighs, “Please let me remember my promise,” she stammers as Kisure helps her ease her head onto her arms, “If I find out again, I will not- ” her eyes close, squeezing out a single tear. “I will not … ever” she repeats, losing consciousness. “Oh, Alice.” Kisure sobs, “I wish I didn’t have to do this.”
--------Chapter 21B Intervention-------
21: “Please don’t make me explain … you’ll think I’m crazy,” she begs. She flashes back to 11D.28-29, “I will not … ever.” The present. Alice throws the phone off the balcony. She turns around and says to Tamitha, “Don’t answer … these two merely had too much to drink to get you over the railing … that is the story [panel break] and if you ever see him again, tell him that Alice remembers her promise.” Tamitha nods.
Lost in the darkness, try to find your way home
I want to embrace you and never let you go
Almost hope you're in heaven so no one can hurt your soul
Living in agony 'cause I just do not know
Where you are
I'll find you somewhere
I'll keep on trying until my dying day
I just need to know whatever has happened,
The truth will free my soul
Wherever you are, I won't stop searching
Whatever it takes, need to know
---------------
These lyrics are abridged because this is a song which has been treated very badly by its distributor (Warner Music Group) on Youtube, which has a graveyard of shattered Somewhere music videos (including some which contain official Within Temptation video content!)
The song describes the mindset of the character named Alice throughout most of Featherwing Love.
In this context, "scratch" selectively erases the memories of its victims to protect the secrets of the featherwings.
-------Chapter 11D Alice and the Scratch-------
27: “I said we never need to kill anyone to protect our secrets … this is why, Alice,” Kisure is moving the desk back into position, careful not to bang his wings into objects the room’s camera can see. “I’ve been scratched,” Alice realizes, getting pretty weak. “Yes ... please understand that without your confidence, we had no choice.”
28-29: “They [the wings] are so amazing,” Alice sighs, “Please let me remember my promise,” she stammers as Kisure helps her ease her head onto her arms, “If I find out again, I will not- ” her eyes close, squeezing out a single tear. “I will not … ever” she repeats, losing consciousness. “Oh, Alice.” Kisure sobs, “I wish I didn’t have to do this.”
--------Chapter 21B Intervention-------
21: “Please don’t make me explain … you’ll think I’m crazy,” she begs.
Visions: Angels (Original FWL)
I have only 20min for this post, so I have to make it fast. I was bouncing around Youtube listening to various music pieces, and decided to hit Within Temptation's Angels, one I had never heard before:
http://www.youtube.com/watch?v=UqKRy_uXgYc
-------Angels by Within Temptation-------
Sparkling angel I believe
You were my savior in my time of need.
Blinded by faith I couldn't hear
All the whispers, the warnings so clear.
I see the angels,
I'll lead them to your door.
There's no escape now,
No mercy no more.
No remorse cause I still remember
The smile when you tore me apart.
You took my heart,
Deceived me right from the start.
You showed me dreams,
I wished they'd turn into real.
You broke a promise and made me realize.
It was all just a lie.
Sparkling angel, I couldn't see
Your dark intentions, your feelings for me.
Fallen angel, tell me why?
What is the reason, the thorn in your eye?
I see the angels,
I'll lead them to your door
There's no escape now
No mercy no more
No remorse cause I still remember
The smile when you tore me apart
You took my heart,
Deceived me right from the start.
You showed me dreams,
I wished they'd turn into real.
You broke a promise and made me realize.
It was all just a lie.
Could have been forever.
Now we have reached the end.
...
This world may have failed you,
It doesn't give you reason why.
You could have chosen a different path in life.
The smile when you tore me apart.
You took my heart,
Deceived me right from the start.
You showed me dreams,
I wished they'd turn into real.
You broke a promise and made me realize,
It was all just a lie.
Could have been forever.
Now we have reached the end.
----------
I can't really describe this latest coup by the Storyvoice. This song describes Haifun's exact mindset where I was writing script in Chapter 21B Intervention page 10. This is a major turning point in the story, which precipitates the greatest crisis Juubi and Haifun are about to face. What is about to happen? Juubi, my quasi-angel has screwed up, and who's led straight to his door? The rest of the Featherwing Brotherhood!! Storyvoice is making a habit of doing this.
http://www.youtube.com/watch?v=UqKRy_uXgYc
-------Angels by Within Temptation-------
Sparkling angel I believe
You were my savior in my time of need.
Blinded by faith I couldn't hear
All the whispers, the warnings so clear.
I see the angels,
I'll lead them to your door.
There's no escape now,
No mercy no more.
No remorse cause I still remember
The smile when you tore me apart.
You took my heart,
Deceived me right from the start.
You showed me dreams,
I wished they'd turn into real.
You broke a promise and made me realize.
It was all just a lie.
Sparkling angel, I couldn't see
Your dark intentions, your feelings for me.
Fallen angel, tell me why?
What is the reason, the thorn in your eye?
I see the angels,
I'll lead them to your door
There's no escape now
No mercy no more
No remorse cause I still remember
The smile when you tore me apart
You took my heart,
Deceived me right from the start.
You showed me dreams,
I wished they'd turn into real.
You broke a promise and made me realize.
It was all just a lie.
Could have been forever.
Now we have reached the end.
...
This world may have failed you,
It doesn't give you reason why.
You could have chosen a different path in life.
The smile when you tore me apart.
You took my heart,
Deceived me right from the start.
You showed me dreams,
I wished they'd turn into real.
You broke a promise and made me realize,
It was all just a lie.
Could have been forever.
Now we have reached the end.
----------
I can't really describe this latest coup by the Storyvoice. This song describes Haifun's exact mindset where I was writing script in Chapter 21B Intervention page 10. This is a major turning point in the story, which precipitates the greatest crisis Juubi and Haifun are about to face. What is about to happen? Juubi, my quasi-angel has screwed up, and who's led straight to his door? The rest of the Featherwing Brotherhood!! Storyvoice is making a habit of doing this.
Tuesday, June 30, 2009
Remix Chapter 7: The Yaiba's Perfect Day
DISCLAIMER: References to features of religions or faith beliefs do not necessarily mean that the authors, Terry Wilson, Matthew Costello, and Yoshitoshi ABe (or anyone else for that matter), take them seriously. All characters featured are new; none appear in either FWL, Doom 3, or Haibane Renmei. Also, don't forget that this is a work of fiction, not prophecy. This means that what is said about these characters is not what fans call "canon", that is, it is not a part of their existence in their own worlds. This story was written by Terry Wilson, who makes no copyright claims against the concepts of the other authors. This work will never be commercially published without the permission of the copyright holders for all three worlds.
The italic lines are the lyrics to the Cascada Song, Perfect Day, title track of the album Perfect Day, Track 5 on the Robbins Entertainment release in North America, March 2008.
I know what it takes
I won’t hesitate
Thought I told you not to call
‘cus I don’t care at all
Guards come to take the young brunette from her cell. She wears a brilliant orange prison uniform. They lead her in irons down a corridor. Fellow inmates are rather quiet. She, however, quietly smiles.
Here’s my point of view:
I’m all through with you
Guess there’s nothing left to say
And I’m not gonna wait
A last look at your sacred text, sweetie?" one of the guards asks her derisively, "Seek your beloved Saviour for some last minute advice? You will die just as easily as he did."
The girl looks up at him and says, "And I will come back ... just like he did."
The guard gives her a smart swat. Her hair blows about as she recoils from the swing. The other guard grabs his hand and says, "Boss wants her pretty for her execution."
‘Cus I’m all right
Yeah yeah
And I don’t mind
Yeah yeah
Baby you’re no longer
creeping in my head
The girl strides so proudly into the square that the guards can hardly keep up. Once in the middle, she just stands there.
And I’m okay
Yeah yeah
I’m on my way
Yeah yeah
And it’s time for me to face that
Perfect Day
The executioner stands there, annoyed at her impudence. "Are you in a hurry to die, little girl?" he growls.
"Why shouldn't I be? Every drop of blood spilt from the veins of his followers hastens the return of the Saviour," she nods over to a caged creature brought along to watch the procedings [Doom 3 Imp]. "And, do you really think he gives any more of a crap about you than I do?"
The creature screams and bangs loudly against his bars, briefly startling the girl.
Yeah yeah
Yeah yeah
"Soon it will be war," she explains, "and you will be on the wrong side, or worse: We will be divided against our common foe. My side with the light of the Saviour, yours," she shrugs playfully, "with no hope at all."
Then she sings from one of her favorite songs:
Boy you’ve gone too far
This is who you are
Now your back’s against the wall
But I don’t care at all
She continues to sing as the executioner grabs her shoulders angrily.
Made me spin around
Now I’m touching ground
She indicates the executioner's sword lying in its cradle beside the pillory that will hold her for her final breath.
Here’s the price you have to pay
And I can’t hardly wait
She keeps singing as the guards force her into the pillory and clap it shut around her neck. Over the course of the chorus, the executioner picks up his weapon and brandishes it for her and the few spectators.
‘Cus I’m all right
Yeah yeah
And I don’t mind
Yeah yeah
Baby you’re no longer
creeping in my head
And I’m okay
Yeah yeah
I’m on my way
Yeah yeah
It’s time for me to face that
Perfect
The Perfect
Perf-
(This is the actual song; she's not getting nervous at the last instant ... or is she? I'll leave that up to your imagination.)
The head of the Saviour-spawn is severed from her body by a single swing from the anodized black sword held by the executioner, momentarily ending her defiant singing. Her twitching body also falls free from the bloodied restraint that held her. The executioner begins, "So ends the pitiful life of another-"
The words of her song continue as though her disembodied voice echoes off the walls, unnerving everyone in attendance, especially the creatures and the executioner himself.
Tired of having you around
I don’t need you
I won’t let you bring me down
------------
Okay, this is different, she thinks as she comes awake floating in her cocoon. She looks down at her body, seeing the white robe she expected. She reaches for the wall of the cocoon, feeling its soft inner lining.
"Hello," says Tatakai in her chair just outside the cocoon. "Take your time coming out. You'll probably be disappointed to know that it is Saturday in the dead of winter. I arrived on a Saturday last winter, the first Haibane to arrive in the winter in 54 years."
Nothing for it, the cocoon's occupant thinks, I can't possibly get back to sleep anyway. She tears through the lining, then gives the shell a good punch. She breaks a hole in it and suddenly finds herself pressed against it, her shoulder stopped against the jagged edge of the hole. If she won't help me, I'll just have to wait for the fluid to drain out, I think.
Tatakai takes her hand. She pushes herself against her host, letting the fluid drain out through the small hole. This is helped when the girl uses her other hand to punch a hole in the top of the cocoon to let air in. Once the fluid is down enough, she pulls her hand back in and expands it large enough for her to crawl out into Tatakai's arms. She lowers herself to the floor and expels the fluid from her lungs, spending about a minute coughing up the rest before she can speak again.
"Where's the Saviour?" she asks.
Tatakai shakes her head, "He's not back yet."
"Where am I?" is her next question.
"Under the altar, I think," answers Tatakai, "The town is called Glie, we are the special creatures in it called Haibane, Ash Feathers."
"F-," she nearly remembers the name of the old angel-like creatures hunted as fiercely by the new regime as the Saviour-spawn. Featherwing, she remembers the creature, but not the name. "The wings," she gasps, "six metre span ... flyers ... shared by love?"
"No," Tatakai says, "they are extinct today."
The new girl shakes, "Then what are?" she indicates Tatakai's wings.
Tatakai responds, "something different ... I was a flyer before ... a warrior in the last battle ... my final memory was being blown out of the sky. According to records, the final memory of all Haibane before I arrived was ... suicide."
The girl says, "Not suicide ... I was executed by the new regime as a follower of the Saviour ... they had the demons from the portals developed on the red planet ... they are the ones who are really in charge."
"No, sister," Tatakai says, "The Saviour is in charge ... always has been."
The new girl smiles from under her soaked grey-brunette hair.
"Let's get you to the guest room, the next twenty four hours are going to be quite a challenge for you."
After some time passes, the new girl has shared her unsettling dream. Shimoni says, "Now for a name, how about ナイフ, Naifu?"
Tatakai giggles, "Too English, might as well just call her Blade" [Author's note: there is a fictional vampire killer by that name, the title character of two movies who's played by Wesley Snipes.]
"刃, [ヤイバ], Yaiba," the girl suggests, "blade."
Menmo says, "That actually sounds kinda cute!"
"Yeah," Tatakai says, "unlike my name, it won't sound like you're ticked off all the time."
"But you are ticked off all the time, Tatakai," Kurai blurts.
"Only at the end of the month," Tatakai retorts.
"And the rest of us," says Shinomi, "Yaiba, we all get it at the same time, I'm not sure why."
"Get what?" Yaiba asks.
Kurai giggles, it's obvious hers is mildest.
"PMS," Tatakai explains.
[Edit: paragraph spacing ... why do I seem unable to tell the computer how many linefeeds I want?]
The italic lines are the lyrics to the Cascada Song, Perfect Day, title track of the album Perfect Day, Track 5 on the Robbins Entertainment release in North America, March 2008.
I know what it takes
I won’t hesitate
Thought I told you not to call
‘cus I don’t care at all
Guards come to take the young brunette from her cell. She wears a brilliant orange prison uniform. They lead her in irons down a corridor. Fellow inmates are rather quiet. She, however, quietly smiles.
Here’s my point of view:
I’m all through with you
Guess there’s nothing left to say
And I’m not gonna wait
A last look at your sacred text, sweetie?" one of the guards asks her derisively, "Seek your beloved Saviour for some last minute advice? You will die just as easily as he did."
The girl looks up at him and says, "And I will come back ... just like he did."
The guard gives her a smart swat. Her hair blows about as she recoils from the swing. The other guard grabs his hand and says, "Boss wants her pretty for her execution."
‘Cus I’m all right
Yeah yeah
And I don’t mind
Yeah yeah
Baby you’re no longer
creeping in my head
The girl strides so proudly into the square that the guards can hardly keep up. Once in the middle, she just stands there.
And I’m okay
Yeah yeah
I’m on my way
Yeah yeah
And it’s time for me to face that
Perfect Day
The executioner stands there, annoyed at her impudence. "Are you in a hurry to die, little girl?" he growls.
"Why shouldn't I be? Every drop of blood spilt from the veins of his followers hastens the return of the Saviour," she nods over to a caged creature brought along to watch the procedings [Doom 3 Imp]. "And, do you really think he gives any more of a crap about you than I do?"
The creature screams and bangs loudly against his bars, briefly startling the girl.
Yeah yeah
Yeah yeah
"Soon it will be war," she explains, "and you will be on the wrong side, or worse: We will be divided against our common foe. My side with the light of the Saviour, yours," she shrugs playfully, "with no hope at all."
Then she sings from one of her favorite songs:
Boy you’ve gone too far
This is who you are
Now your back’s against the wall
But I don’t care at all
She continues to sing as the executioner grabs her shoulders angrily.
Made me spin around
Now I’m touching ground
She indicates the executioner's sword lying in its cradle beside the pillory that will hold her for her final breath.
Here’s the price you have to pay
And I can’t hardly wait
She keeps singing as the guards force her into the pillory and clap it shut around her neck. Over the course of the chorus, the executioner picks up his weapon and brandishes it for her and the few spectators.
‘Cus I’m all right
Yeah yeah
And I don’t mind
Yeah yeah
Baby you’re no longer
creeping in my head
And I’m okay
Yeah yeah
I’m on my way
Yeah yeah
It’s time for me to face that
Perfect
The Perfect
Perf-
(This is the actual song; she's not getting nervous at the last instant ... or is she? I'll leave that up to your imagination.)
The head of the Saviour-spawn is severed from her body by a single swing from the anodized black sword held by the executioner, momentarily ending her defiant singing. Her twitching body also falls free from the bloodied restraint that held her. The executioner begins, "So ends the pitiful life of another-"
The words of her song continue as though her disembodied voice echoes off the walls, unnerving everyone in attendance, especially the creatures and the executioner himself.
Tired of having you around
I don’t need you
I won’t let you bring me down
------------
Okay, this is different, she thinks as she comes awake floating in her cocoon. She looks down at her body, seeing the white robe she expected. She reaches for the wall of the cocoon, feeling its soft inner lining.
"Hello," says Tatakai in her chair just outside the cocoon. "Take your time coming out. You'll probably be disappointed to know that it is Saturday in the dead of winter. I arrived on a Saturday last winter, the first Haibane to arrive in the winter in 54 years."
Nothing for it, the cocoon's occupant thinks, I can't possibly get back to sleep anyway. She tears through the lining, then gives the shell a good punch. She breaks a hole in it and suddenly finds herself pressed against it, her shoulder stopped against the jagged edge of the hole. If she won't help me, I'll just have to wait for the fluid to drain out, I think.
Tatakai takes her hand. She pushes herself against her host, letting the fluid drain out through the small hole. This is helped when the girl uses her other hand to punch a hole in the top of the cocoon to let air in. Once the fluid is down enough, she pulls her hand back in and expands it large enough for her to crawl out into Tatakai's arms. She lowers herself to the floor and expels the fluid from her lungs, spending about a minute coughing up the rest before she can speak again.
"Where's the Saviour?" she asks.
Tatakai shakes her head, "He's not back yet."
"Where am I?" is her next question.
"Under the altar, I think," answers Tatakai, "The town is called Glie, we are the special creatures in it called Haibane, Ash Feathers."
"F-," she nearly remembers the name of the old angel-like creatures hunted as fiercely by the new regime as the Saviour-spawn. Featherwing, she remembers the creature, but not the name. "The wings," she gasps, "six metre span ... flyers ... shared by love?"
"No," Tatakai says, "they are extinct today."
The new girl shakes, "Then what are?" she indicates Tatakai's wings.
Tatakai responds, "something different ... I was a flyer before ... a warrior in the last battle ... my final memory was being blown out of the sky. According to records, the final memory of all Haibane before I arrived was ... suicide."
The girl says, "Not suicide ... I was executed by the new regime as a follower of the Saviour ... they had the demons from the portals developed on the red planet ... they are the ones who are really in charge."
"No, sister," Tatakai says, "The Saviour is in charge ... always has been."
The new girl smiles from under her soaked grey-brunette hair.
"Let's get you to the guest room, the next twenty four hours are going to be quite a challenge for you."
After some time passes, the new girl has shared her unsettling dream. Shimoni says, "Now for a name, how about ナイフ, Naifu?"
Tatakai giggles, "Too English, might as well just call her Blade" [Author's note: there is a fictional vampire killer by that name, the title character of two movies who's played by Wesley Snipes.]
"刃, [ヤイバ], Yaiba," the girl suggests, "blade."
Menmo says, "That actually sounds kinda cute!"
"Yeah," Tatakai says, "unlike my name, it won't sound like you're ticked off all the time."
"But you are ticked off all the time, Tatakai," Kurai blurts.
"Only at the end of the month," Tatakai retorts.
"And the rest of us," says Shinomi, "Yaiba, we all get it at the same time, I'm not sure why."
"Get what?" Yaiba asks.
Kurai giggles, it's obvious hers is mildest.
"PMS," Tatakai explains.
[Edit: paragraph spacing ... why do I seem unable to tell the computer how many linefeeds I want?]
Thursday, June 25, 2009
Remix Chapter 6: The Communicator
DISCLAIMER: References to features of religions or faith beliefs do not necessarily mean that the authors, Terry Wilson, Matthew Costello, and Yoshitoshi ABe (or anyone else for that matter), take them seriously. All characters featured are new; none appear in either FWL, Doom 3, or Haibane Renmei. Also, don't forget that this is a work of fiction, not prophecy. Past characters created by the other authors are mentioned in this story. Their histories and personalities are modified and filled out by Terry Wilson in ways that the original authors probably do not intend. This means that what is said about these characters is not what fans call "canon", that is, it is not a part of their existence in their own worlds. This story was written by Terry Wilson, who makes no copyright claims against the concepts of the other authors. This work will never be commercially published without the permission of the copyright holders for all three worlds.
The Communicator walks with Tatakai in the garden. He wears costume wings and a one-eyed mask just like in the anime series. Looks like a cyclops, but unlike in the anime, he is a few inches taller and walks without a cane.
"I missed it," he laments.
"Missed what?" Tatakai asks, her white wings are smartly folded over her back. As a Featherwing, she normally did this because Featherwing wings are so much larger than Haibane wings. On her as a Haibane, it looks very unusual because Haibane wings aren't large enough to be so inconvenient.
"My Day of Flight," the Communicator says.
Tatakai reads his tone, and asks him, "Do you wear that mask to hide your tears?"
He does not answer, and Tatakai decides that it is better not to press. Instead he talks about someone else, "You remind me of Rakka," he says, "she is unique in the history of the Haibane. The only Communicator that was not a Fallen. The longest lived Haibane, at forty-seven years. She kept histories beneath the wall, kept it in repair. She was something else."
Tatakai then asks, "How is the Communicator chosen?"
The Communicator says, "He ... or she ... really isn't chosen, but a willing person, almost always a Fallen, never a human, simply assumes the role. When the Communicator of Rakka's time died, no one knew his name, not even Rakka herself ... there were no Fallen."
Tatakai then says, "So why isn't anyone studying her work?"
The Communicator answers, "It is too hard for most. Rakka wrote it in Toganese."
Tatakai asks him, "Can you teach me?"
The Communicator nods, "Rakka taught me, but according to her histories ... she learned it on her own."
After a few weeks, Tatakai knows this new language, and this morning goes under the wall. She has become familiar with the robe. "Dang, these things are heavy," she gripes.
The Communicator answers, "Well anything beats that ... what did you call it?"
Tatakai answers, "Delta radiation. The place glows with the stuff. If this wall collapses, we're screwed. All of Glie would have a lethal dose within a few hours. This hikarinium," she points out the light leaves scattering the tablets, "is not where it is coming from. Somehow these little irritations," she pauses, holds out her hands and zaps an invisible creature [Doom 3 Wraith] with the Saviour's light, "are getting in here."
The Communicator says, "From reading Rakka's histories, they have been getting in here since at least her time. You are the only Haibane to even see them let alone actually be able to deal with them. That light of yours-"
"Not mine," Tatakai says, "The Saviour's. If I ever call it mine, it'll quit working. It's sure a lot handier than the weapons I was used to before I came here. I'm glad I don't have to use it as often." After a pause, she says, "Also, I don't see them, I hear them. From Rakka's records, they have been seen before, I know that they have to become visible to attack. I know what they look like from my previous life."
She picks up a tablet and starts reading, flicking hikarinium bits into her collector, "Sweeeeet," she says, "This is the part of the wall the Saviour's light repaired, that time I got sick, remember?" Shrugging her robe, she adds, "Should have brought one of these."
For the first time in Tatakai's memory, the Communicator might have chuckled.
The next morning, she's walking down the halls of the North Wing with her friend. The North Wing is slowly being demolished from the top down for materials to build more habitable houses just to its west. It's roof has been replaced by a series of sturdy tarps held up by a scaffold around the building.
"Shimoni," asks Tatakai, "if the humans see us as lesser beings, why the blazes don't they ever stare down their fears and ask about Rakka's histories, or the dangers of the walls? These are things we better under-"
"What?" Shimoni notices Tatakai's startlement.
"It came from this room," says Tatakai, wheeling around and swinging open a door. Seeing it, she asks, "Do they like, always appear in the coldest, messiest rooms?"
Shimoni admires the watermelon sized cocoon, "Wow."
Tatakai kneels beside it, as Shimoni warns, "Don't touch it."
"Silly," Tatakai says, "I had no such intention. Nobody touched mine."
Tatakai smiles at it, "See you in about," she ponders, "five months."
Shimoni laments, "The winter again? Maybe it's a colleague of yours."
Tatakai says, "Menmo might have been. She had my type of wings in her dream. But she showed up in spring. Rakka wrote that seven years before her appearance, Reki appeared in winter ... the day of her emergence went unobserved, and she was discovered by Kuramori some time after her wings emerged. She emerged Sin-Bound and almost missed her Day of Flight. ... We're in no hurry this time."
Shimoni says, "I still can't wait to get back and tell everyone."
---------
The Communicator walks with Tatakai in the garden. He wears costume wings and a one-eyed mask just like in the anime series. Looks like a cyclops, but unlike in the anime, he is a few inches taller and walks without a cane.
"I missed it," he laments.
"Missed what?" Tatakai asks, her white wings are smartly folded over her back. As a Featherwing, she normally did this because Featherwing wings are so much larger than Haibane wings. On her as a Haibane, it looks very unusual because Haibane wings aren't large enough to be so inconvenient.
"My Day of Flight," the Communicator says.
Tatakai reads his tone, and asks him, "Do you wear that mask to hide your tears?"
He does not answer, and Tatakai decides that it is better not to press. Instead he talks about someone else, "You remind me of Rakka," he says, "she is unique in the history of the Haibane. The only Communicator that was not a Fallen. The longest lived Haibane, at forty-seven years. She kept histories beneath the wall, kept it in repair. She was something else."
Tatakai then asks, "How is the Communicator chosen?"
The Communicator says, "He ... or she ... really isn't chosen, but a willing person, almost always a Fallen, never a human, simply assumes the role. When the Communicator of Rakka's time died, no one knew his name, not even Rakka herself ... there were no Fallen."
Tatakai then says, "So why isn't anyone studying her work?"
The Communicator answers, "It is too hard for most. Rakka wrote it in Toganese."
Tatakai asks him, "Can you teach me?"
The Communicator nods, "Rakka taught me, but according to her histories ... she learned it on her own."
After a few weeks, Tatakai knows this new language, and this morning goes under the wall. She has become familiar with the robe. "Dang, these things are heavy," she gripes.
The Communicator answers, "Well anything beats that ... what did you call it?"
Tatakai answers, "Delta radiation. The place glows with the stuff. If this wall collapses, we're screwed. All of Glie would have a lethal dose within a few hours. This hikarinium," she points out the light leaves scattering the tablets, "is not where it is coming from. Somehow these little irritations," she pauses, holds out her hands and zaps an invisible creature [Doom 3 Wraith] with the Saviour's light, "are getting in here."
The Communicator says, "From reading Rakka's histories, they have been getting in here since at least her time. You are the only Haibane to even see them let alone actually be able to deal with them. That light of yours-"
"Not mine," Tatakai says, "The Saviour's. If I ever call it mine, it'll quit working. It's sure a lot handier than the weapons I was used to before I came here. I'm glad I don't have to use it as often." After a pause, she says, "Also, I don't see them, I hear them. From Rakka's records, they have been seen before, I know that they have to become visible to attack. I know what they look like from my previous life."
She picks up a tablet and starts reading, flicking hikarinium bits into her collector, "Sweeeeet," she says, "This is the part of the wall the Saviour's light repaired, that time I got sick, remember?" Shrugging her robe, she adds, "Should have brought one of these."
For the first time in Tatakai's memory, the Communicator might have chuckled.
The next morning, she's walking down the halls of the North Wing with her friend. The North Wing is slowly being demolished from the top down for materials to build more habitable houses just to its west. It's roof has been replaced by a series of sturdy tarps held up by a scaffold around the building.
"Shimoni," asks Tatakai, "if the humans see us as lesser beings, why the blazes don't they ever stare down their fears and ask about Rakka's histories, or the dangers of the walls? These are things we better under-"
"What?" Shimoni notices Tatakai's startlement.
"It came from this room," says Tatakai, wheeling around and swinging open a door. Seeing it, she asks, "Do they like, always appear in the coldest, messiest rooms?"
Shimoni admires the watermelon sized cocoon, "Wow."
Tatakai kneels beside it, as Shimoni warns, "Don't touch it."
"Silly," Tatakai says, "I had no such intention. Nobody touched mine."
Tatakai smiles at it, "See you in about," she ponders, "five months."
Shimoni laments, "The winter again? Maybe it's a colleague of yours."
Tatakai says, "Menmo might have been. She had my type of wings in her dream. But she showed up in spring. Rakka wrote that seven years before her appearance, Reki appeared in winter ... the day of her emergence went unobserved, and she was discovered by Kuramori some time after her wings emerged. She emerged Sin-Bound and almost missed her Day of Flight. ... We're in no hurry this time."
Shimoni says, "I still can't wait to get back and tell everyone."
---------
Tuesday, June 16, 2009
The Autumn Rain Plane Crash
In February, a few days before the crash of Colgan 3407 in the Clarence region of Buffalo, NY, I thought of an interesting scenario that would be unique to the world of the featherwings: A passenger airliner crashes because of icing problems, directly over a cold front backed up by an hard core arctic high pressure system. The aircraft is totally destroyed on impact, but at least two of the passengers survive the impact. The two ultimate survivors (anyone else surviving the impact would freeze to death in a few minutes.) One of them is the only featherwing passenger, badly injured, but able to survive the cold by deploying her wings, thus covering her body in the invisible featherwing down, increasing her metabolism, and escaping a quick death. The other is an uninjured human who is so badly underdressed for the weather that he can't build a shelter against the cold before freezing to death. He finds the injured featherwing being and takes shelter under her wings. The two quickly realize that their only hope of surviving is by sharing the wings, an extremely romantic act. The featherwing lady is unable to build a shelter because of her injuries. The wings alone are not enough to save them from the dropping temperatures (for several reasons.) The human is unable to build a shelter because, outside her wings, he will freeze to death before he can even get a decent start.
So they share the wings. At this point in the conception, the Storyvoice whispers, "He has a wife and two kids...deal with it." I, the author of this disaster, cried. I also realized that the story has an important message.
This is the Cascada Song, Track 6 of Perfect Day (Robbins Entertainment 2008)
http://www.youtube.com/watch?v=tyk5PDrP7YI (haleymeadows lyrics; rip has skips)
----Begin----
The Autumn Rain is falling down
through the clouds, hits the ground
wash away traces in the sand
And yesterday is so far away
You disappeared, love was here
I close my eyes to be with you again
You're still alive, the world is in your hand
Dream on dreamer
and the sun will always shine down on you
Keep on dreaming
It's alright, feel alive
Dream on dreamer
and the world keeps spinning 'round and 'round you go
Don't stop dreaming
It's alright, we're alive
We're alive
...
I'll light your name across the sky
I'll be with you 'til the end of time
Don't wake me up
I'm reaching for your hands
I'll never go to break your heart
No matter if you're near or far
Just close your eyes, to be with me again
You're still alive, the world is in your hand
Dream on dreamer
and the sun will always shine down on you
Keep on dreaming
It's alright, feel alive
Dream on dreamer
and the world keeps spinning 'round and 'round you go
Don't stop dreaming
It's alright, we're alive (We're alive)
Dream on dreamer
and the sun will always shine down on you
Keep on dreaming
It's alright, feel alive
Dream on dreamer
and the world keeps spinning 'round and 'round you go
Don't stop dreaming
It's alright, we're alive
----End----
Natalie, Yanou and Manian probably do not yet know that this song is about a plane crash. This song communicates the hope that the two characters have in their new life together.
This song gave the name to the aircraft, Autumn Rain: a NorSTOL K270 turboprop airliner on Mountain Lights Flight 929, which went down in the Rocky Mountains in either Alberta or BC, around 57deg lattitude north in early December of the year 12BFR (Before Flying Romance). The story has developed considerably since its conception, but I'll leave further details for publication.
On 16 June 2009, after the third pass of script work, I queried Youtube for "Autumn Rain" and found a shocker: Tears of Autumn Rain by Eternal Tears of Sorrow. It was the only significant hit. It is Track 3 of Children of The Dark (no North American distributor; Massacre Records for Europe; Marquee/Avalon for Asia)
I cried again. It even has the sound of an aircraft alarm in the background of the second verse:
http://www.youtube.com/watch?v=vSi5dJlVxcQ
----Begin----
It's autumn night, the pale moon reveals my emptiness
And the hollow wrath and fear inside
I close my eyes to sense her nightly lust again
But my rage and thirst won't fade away
The nightly mist, the scent of autumn in my heart
I can hear the winter's song again
My will of life falls away like golden leaves
I'm just a flame who dies in shades
Let me feel your pain, tears of Autumn Rain
Words of blood on shore: "There is light no more"
Freezing gale of night silent stream of night
Lay us down to sleep on the crimson leaves
...
Let me feel your pain, tears of Autumn Rain
Words of blood on shore: "There is light no more"
Freezing gale of night silent stream of light
Lay us down to sleep on the crimson leaves
Let me feel your pain, tears of Autumn Rain
Words of blood on shore: "There is light no more"
Freezing gale of night silent stream of light
Lay us down to sleep on the crimson leaves
----End----
The male character realizes later that he has destroyed his family worse than he would have if he had not accepted the gift of wings. This song confirms to me that he made the wrong decision. Storyvoice has affirmed that he made the wrong decision several different ways; I think it wants me to express why adultery is so destructive ... that adultery is so destructive in fact, that it is not worth committing to gain the wings of an angel!
(25 June edit: Buffalo, not Denver (sheesh), and several paragraph spacing glitches; also added exact discography for EToS ToAR)
So they share the wings. At this point in the conception, the Storyvoice whispers, "He has a wife and two kids...deal with it." I, the author of this disaster, cried. I also realized that the story has an important message.
This is the Cascada Song, Track 6 of Perfect Day (Robbins Entertainment 2008)
http://www.youtube.com/watch?v=tyk5PDrP7YI (haleymeadows lyrics; rip has skips)
----Begin----
The Autumn Rain is falling down
through the clouds, hits the ground
wash away traces in the sand
And yesterday is so far away
You disappeared, love was here
I close my eyes to be with you again
You're still alive, the world is in your hand
Dream on dreamer
and the sun will always shine down on you
Keep on dreaming
It's alright, feel alive
Dream on dreamer
and the world keeps spinning 'round and 'round you go
Don't stop dreaming
It's alright, we're alive
We're alive
...
I'll light your name across the sky
I'll be with you 'til the end of time
Don't wake me up
I'm reaching for your hands
I'll never go to break your heart
No matter if you're near or far
Just close your eyes, to be with me again
You're still alive, the world is in your hand
Dream on dreamer
and the sun will always shine down on you
Keep on dreaming
It's alright, feel alive
Dream on dreamer
and the world keeps spinning 'round and 'round you go
Don't stop dreaming
It's alright, we're alive (We're alive)
Dream on dreamer
and the sun will always shine down on you
Keep on dreaming
It's alright, feel alive
Dream on dreamer
and the world keeps spinning 'round and 'round you go
Don't stop dreaming
It's alright, we're alive
----End----
Natalie, Yanou and Manian probably do not yet know that this song is about a plane crash. This song communicates the hope that the two characters have in their new life together.
This song gave the name to the aircraft, Autumn Rain: a NorSTOL K270 turboprop airliner on Mountain Lights Flight 929, which went down in the Rocky Mountains in either Alberta or BC, around 57deg lattitude north in early December of the year 12BFR (Before Flying Romance). The story has developed considerably since its conception, but I'll leave further details for publication.
On 16 June 2009, after the third pass of script work, I queried Youtube for "Autumn Rain" and found a shocker: Tears of Autumn Rain by Eternal Tears of Sorrow. It was the only significant hit. It is Track 3 of Children of The Dark (no North American distributor; Massacre Records for Europe; Marquee/Avalon for Asia)
I cried again. It even has the sound of an aircraft alarm in the background of the second verse:
http://www.youtube.com/watch?v=vSi5dJlVxcQ
----Begin----
It's autumn night, the pale moon reveals my emptiness
And the hollow wrath and fear inside
I close my eyes to sense her nightly lust again
But my rage and thirst won't fade away
The nightly mist, the scent of autumn in my heart
I can hear the winter's song again
My will of life falls away like golden leaves
I'm just a flame who dies in shades
Let me feel your pain, tears of Autumn Rain
Words of blood on shore: "There is light no more"
Freezing gale of night silent stream of night
Lay us down to sleep on the crimson leaves
...
Let me feel your pain, tears of Autumn Rain
Words of blood on shore: "There is light no more"
Freezing gale of night silent stream of light
Lay us down to sleep on the crimson leaves
Let me feel your pain, tears of Autumn Rain
Words of blood on shore: "There is light no more"
Freezing gale of night silent stream of light
Lay us down to sleep on the crimson leaves
----End----
The male character realizes later that he has destroyed his family worse than he would have if he had not accepted the gift of wings. This song confirms to me that he made the wrong decision. Storyvoice has affirmed that he made the wrong decision several different ways; I think it wants me to express why adultery is so destructive ... that adultery is so destructive in fact, that it is not worth committing to gain the wings of an angel!
(25 June edit: Buffalo, not Denver (sheesh), and several paragraph spacing glitches; also added exact discography for EToS ToAR)
Wednesday, June 10, 2009
Visions: Inside The Fire
I happened to first hit this song on Youtube right after typing this:16.23: Juubi winces, “If we join now … we will become our monsters … You … the Haifun I want to spend the rest of my life with,” she reacts with surprise at those words as he continues, “you do not need this.” (090607 14:15 MDT) This is merely the latest experience that tells me this story is emerging from the mind of the universe through my hands and is not actually my own creation
The original name for the character is "Devon"; Haifun's name is actually more prescient since it is Japanese (and other Asian languages) for Ashes.
The voice of the song is very similar to that of Juubi's "monster", the unhealthy fantasies in his mind that have taken on a life of their own. Haifun's monster is not based on her fantasies, but her experience (I'm concerned this song might contain a nasty spoiler about that.)
-----------------
(Laughs)
Oooooh, Haifun won't go to heaven
she's just another lost soul about to be mine again
Leave her, we will receive her
It is beyond your control, will you ever meet again?
Haifun, no longer living
Who had been rendered unwhole as a little child
She was taken, and then forsaken
You will remember it all, let it blow your mind again
Haifun lies beyond this portal
Take the word of one immortal
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
Sever, now and forever
You're just another lost soul about to be mine again
See her, you'll never free her
You must surrender it all if you'd like to meet again
Fire for your desire
As she begins to turn cold for the final time
You will shiver, till you deliver
You will remember it all, let it blow your mind again
Haifun lies beyond this portal
Take the word of one immortal
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
...
Take me away, yeah
...
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
Oooooh, Haifun, no longer living
Who had been rendered unwhole as a little child
She was taken, and then forsaken
You will remember it all, let it blow your mind again, man
The original name for the character is "Devon"; Haifun's name is actually more prescient since it is Japanese (and other Asian languages) for Ashes.
The voice of the song is very similar to that of Juubi's "monster", the unhealthy fantasies in his mind that have taken on a life of their own. Haifun's monster is not based on her fantasies, but her experience (I'm concerned this song might contain a nasty spoiler about that.)
-----------------
(Laughs)
Oooooh, Haifun won't go to heaven
she's just another lost soul about to be mine again
Leave her, we will receive her
It is beyond your control, will you ever meet again?
Haifun, no longer living
Who had been rendered unwhole as a little child
She was taken, and then forsaken
You will remember it all, let it blow your mind again
Haifun lies beyond this portal
Take the word of one immortal
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
Sever, now and forever
You're just another lost soul about to be mine again
See her, you'll never free her
You must surrender it all if you'd like to meet again
Fire for your desire
As she begins to turn cold for the final time
You will shiver, till you deliver
You will remember it all, let it blow your mind again
Haifun lies beyond this portal
Take the word of one immortal
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
...
Take me away, yeah
...
Give your soul to me for eternity
Release your life to begin another time with her
End your grief with me, there's another way
Release your life, take your place inside the fire with her
Oooooh, Haifun, no longer living
Who had been rendered unwhole as a little child
She was taken, and then forsaken
You will remember it all, let it blow your mind again, man
Monday, June 8, 2009
Remix Chapter 5: Recovery
Read first if you haven't already: http://featherwinglove.blogspot.com/2009/06/remix-visions-indestructible.html
DISCLAIMER: References to features of religions or faith beliefs do not necessarily mean that the authors, Terry Wilson, Matthew Costello, and Yoshitoshi ABe (or anyone else for that matter), take them seriously. All characters featured are new; none appear in either FWL, Doom 3, or Haibane Renmei. Also, don't forget that this is a work of fiction, not prophecy. This story was written by Terry Wilson, who makes no copyright claims against the concepts of the other authors. This work will never be commercially published without the permission of the copyright holders for all three worlds.
---------------
"I wasn't planning to touch the wall when I came out here, so it's a good thing you followed me," Tatakai says.
Shinomi responds, "I'm glad we found enough string to make it all the way. We don't have the same ability to navigate like you, Tatakai."
"It can be learned," Tatakai explains, then gasps, "I can feel it already, the dose must be huge. You drive. In about an hour, I will have no sense of balance."
They mount the scooter Tatakai left at the bridge and start driving. Shinomi says, "No one has ever touched the wall before. I don't know what to do."
Tatakai responds, "I seriously doubt you're correct. I remember my own kind had trouble remembering their history very far back. It seems like the Haibane have the same problem. If no one had ever touched the wall before, It doesn't seem likely that the Temple Garden would have everything we need to treat delta radiation poisoning. I'll write up a list when we get back. Who knows the garden best?"
"Kurai," says Shinomi.
"Just as I thought," says Tatakai.
Back at the guest room, Tatakai sits in a chair at the table. Menmo tapes a pencil to her right index finger. "You are freezing cold," she gasps, "How can you stand it."
"Easily," sighs Tatakai, "the radiation has screwed up my nerves so much that I barely feel anything. It also feels like I've lost a couple of stones of weight ... like I'm being vaporized from the inside out. I remember how it messed up the extra senses I had in my previous life ... it was quite unnerving to not hear the ground any more."
Tatakai continues to write her list of herbal ingredients. "Pick them in this order," she says, "The ones that need to be fresh are at the end. If you pick them first, they will lose their medicinal value before you get back. I don't remember how this remedy works, although I'm sure I once knew. All I know is that this is it. Hurry, I might be the only person in the city who can defend it."
Shimoni drives with Kurai to the temple. Shimoni is the only person who can take a scooter around the catwalk, although this will the first time she's ever done it with a passenger.
"Menmo," Tatakai sighs, "help me to the bed." At this point Tatakai can't walk on her own. Unable to even stand, Menmo picks her off her feet and carries her to the bed.
"Tatakai," Menmo remarks gravely, "If this keeps up, you're going to start growing frost."
"It won't," Tatakai says, "In about an hour, my temperature will skyrocket so much you'll think I'll burn the place down." Uselessly feeling her own forehead, she adds, "Perhaps it will help if you get a bath started, one that is slightly cool to the touch," she gasps. "I'm scared, this is I think about four or five times the dose I got in my previous life."
The two Haibane on the scooter drive it around the catwalk at high speed. Shimoni says, "We can't slow down, or the lift of our wings will not hold us to the wall. Both are bent forward on the almost sideways moped.
Kurai responds, "You know how easily we could die right now?"
"Yeah," Shinomi squeals, "Our odds are still better than Tatakai's."
They halt at the temple, jumping off the scooter before it is even stopped. Kurai has her list out. Without waiting for permission to speak, she says to the Washi, "Tatakai has repaired the West Wood wall ... part of that light show you couldn't have missed if you were anywhere near a west facing window. She used the light of The Savior against an enemy that was attacking it from outside."
"Who flew?" the Washi asks.
Shinomi responds immediately, "No one, athough I'm sure Tatakai could fly whenever she dang well wants." (They refer to the Day of Flight for Haibane.)
The Washi gasps as Kurai starts going about, following her list. "This one," she points out a tree to Shinomi, "then that one ... second and third on the list ... I'll get the first, fourth and fifth ones over there."
The Washi says, "How do you know which herbs and what order?"
Kurai answers, "Tatakai made this list. She remembers the recipe from her previous life."
The two Haibane race through their list and have it ready in twenty minutes. The Washi notices, "How did you get the scooter here?"
"Very carefully," Shinomi points out as she takes off at high speed. The sun is just starting to rise.
They arrive at Old Home to an alarming scene. Tatakai (in her robe) is in a steaming bath with a towel over her head.
Kurai gasps, "Menmo, what the heck? A hot bath is the last thing she needs!"
Kurai says this just in time to see Menmo set an old freezer's evaporator coil in Tatakai's lap under the water. "This heat is coming from her," Menmo says, "I ran out of ice almost an hour ago." To Tatakai, she asks, "Is that helping?"
Tatakai nods. As Menmo pours some water over her head to cool the towel.
Kurai and Shinomi make haste to get the medicine prepared. "Oh, crap!" one mutters as she grinds up the herbs in a mortar.
Menmo comes in as the brew steeps, "What a stench!" she cries. She carries it into the washroom, where they hold it to Tatakai's lips. She can't lift her arms out of the water, but slinks lower into the tub to increase the angle, aggressively consuming the brew.
Once swallowed, Tatakai throws up half of it into the bath. "Ew ... the flavour's about right, I hope I got enough of it down."
Kurai then asks, "When will we know?"
Rasping, Tatakai answers, "About an hour ... either way."
DISCLAIMER: References to features of religions or faith beliefs do not necessarily mean that the authors, Terry Wilson, Matthew Costello, and Yoshitoshi ABe (or anyone else for that matter), take them seriously. All characters featured are new; none appear in either FWL, Doom 3, or Haibane Renmei. Also, don't forget that this is a work of fiction, not prophecy. This story was written by Terry Wilson, who makes no copyright claims against the concepts of the other authors. This work will never be commercially published without the permission of the copyright holders for all three worlds.
---------------
"I wasn't planning to touch the wall when I came out here, so it's a good thing you followed me," Tatakai says.
Shinomi responds, "I'm glad we found enough string to make it all the way. We don't have the same ability to navigate like you, Tatakai."
"It can be learned," Tatakai explains, then gasps, "I can feel it already, the dose must be huge. You drive. In about an hour, I will have no sense of balance."
They mount the scooter Tatakai left at the bridge and start driving. Shinomi says, "No one has ever touched the wall before. I don't know what to do."
Tatakai responds, "I seriously doubt you're correct. I remember my own kind had trouble remembering their history very far back. It seems like the Haibane have the same problem. If no one had ever touched the wall before, It doesn't seem likely that the Temple Garden would have everything we need to treat delta radiation poisoning. I'll write up a list when we get back. Who knows the garden best?"
"Kurai," says Shinomi.
"Just as I thought," says Tatakai.
Back at the guest room, Tatakai sits in a chair at the table. Menmo tapes a pencil to her right index finger. "You are freezing cold," she gasps, "How can you stand it."
"Easily," sighs Tatakai, "the radiation has screwed up my nerves so much that I barely feel anything. It also feels like I've lost a couple of stones of weight ... like I'm being vaporized from the inside out. I remember how it messed up the extra senses I had in my previous life ... it was quite unnerving to not hear the ground any more."
Tatakai continues to write her list of herbal ingredients. "Pick them in this order," she says, "The ones that need to be fresh are at the end. If you pick them first, they will lose their medicinal value before you get back. I don't remember how this remedy works, although I'm sure I once knew. All I know is that this is it. Hurry, I might be the only person in the city who can defend it."
Shimoni drives with Kurai to the temple. Shimoni is the only person who can take a scooter around the catwalk, although this will the first time she's ever done it with a passenger.
"Menmo," Tatakai sighs, "help me to the bed." At this point Tatakai can't walk on her own. Unable to even stand, Menmo picks her off her feet and carries her to the bed.
"Tatakai," Menmo remarks gravely, "If this keeps up, you're going to start growing frost."
"It won't," Tatakai says, "In about an hour, my temperature will skyrocket so much you'll think I'll burn the place down." Uselessly feeling her own forehead, she adds, "Perhaps it will help if you get a bath started, one that is slightly cool to the touch," she gasps. "I'm scared, this is I think about four or five times the dose I got in my previous life."
The two Haibane on the scooter drive it around the catwalk at high speed. Shimoni says, "We can't slow down, or the lift of our wings will not hold us to the wall. Both are bent forward on the almost sideways moped.
Kurai responds, "You know how easily we could die right now?"
"Yeah," Shinomi squeals, "Our odds are still better than Tatakai's."
They halt at the temple, jumping off the scooter before it is even stopped. Kurai has her list out. Without waiting for permission to speak, she says to the Washi, "Tatakai has repaired the West Wood wall ... part of that light show you couldn't have missed if you were anywhere near a west facing window. She used the light of The Savior against an enemy that was attacking it from outside."
"Who flew?" the Washi asks.
Shinomi responds immediately, "No one, athough I'm sure Tatakai could fly whenever she dang well wants." (They refer to the Day of Flight for Haibane.)
The Washi gasps as Kurai starts going about, following her list. "This one," she points out a tree to Shinomi, "then that one ... second and third on the list ... I'll get the first, fourth and fifth ones over there."
The Washi says, "How do you know which herbs and what order?"
Kurai answers, "Tatakai made this list. She remembers the recipe from her previous life."
The two Haibane race through their list and have it ready in twenty minutes. The Washi notices, "How did you get the scooter here?"
"Very carefully," Shinomi points out as she takes off at high speed. The sun is just starting to rise.
They arrive at Old Home to an alarming scene. Tatakai (in her robe) is in a steaming bath with a towel over her head.
Kurai gasps, "Menmo, what the heck? A hot bath is the last thing she needs!"
Kurai says this just in time to see Menmo set an old freezer's evaporator coil in Tatakai's lap under the water. "This heat is coming from her," Menmo says, "I ran out of ice almost an hour ago." To Tatakai, she asks, "Is that helping?"
Tatakai nods. As Menmo pours some water over her head to cool the towel.
Kurai and Shinomi make haste to get the medicine prepared. "Oh, crap!" one mutters as she grinds up the herbs in a mortar.
Menmo comes in as the brew steeps, "What a stench!" she cries. She carries it into the washroom, where they hold it to Tatakai's lips. She can't lift her arms out of the water, but slinks lower into the tub to increase the angle, aggressively consuming the brew.
Once swallowed, Tatakai throws up half of it into the bath. "Ew ... the flavour's about right, I hope I got enough of it down."
Kurai then asks, "When will we know?"
Rasping, Tatakai answers, "About an hour ... either way."
Sunday, June 7, 2009
Remix Visions: Indestructible
It is a song she heard as a child in her previous life, even before her flying wings had grown. Almost a hundred years before she was born, it was written by a band named Disturbed, but she doesn't remember that part.
First the sounds of an ancient battle fill her ears, ancient even by the standards she was used to as a Featherwing, although today she can't help but imagine the characteristic final cry of the creature she forgets is called an "Imp" or the discharge buzz of her super-cannon [BFG 9000] The sounds of her kind flapping through the air, and the ancient cry of an airstrike warning siren.
She walks up to the wall on the other side of the West Wood, very easily keeping her bearings this cloudless night. Even without the moon, stars, and watch, she could find her way back by a series of distinctive trees she looked at for that purpose. She was compelled to come here, knowing that she was going to return. She stares purposefully at it, then begins to sing her song.
"Another mission: the powers have called me away
Another time to carry the colors again
My motivation: An oath I've sworn to defend
To win the honor of coming back home again
"No explanation will matter after we begin
Unlock the dark destroyer that's buried within
My true vocation, and now my unfortunate friend"
She defiantly points her finger at the wall, remembering, even as those ancient forces of darkness obviously won her war. No power can stand up to The Saviour.
"You will discover a war you're unable to win"
"I'll have you know
That I've become
Indestructible"
Her wings begin to glow, starting to outshine her halo ... maybe she hasn't noticed.
"Determination that is incorruptible
From the other side, a terror to behold
Annihilation will be unavoidable
Every broken enemy will know
That their opponent had to be invincible
Take a last look around
While you're alive
I'm an indestructible
Master of War"
A straight bolt of light flies straight up out of her body into the sky for a few seconds. She starts pacing back and forth in front of the wall, either ignoring or encouraged by this light. It fades as she continues to sing.
"Another reason, another cause for me to fight
Another fuse uncovered for now for me to light
My dedication to all that I've sworn to protect
I carry on my orders with not a regret "
She reaches over and strokes her own wings while she continues to sing:
"A declaration embedded deep under my skin
A permanent reminder of how we began
No hesitation when I am commanding the strike
You need to know that you're in for the fight of your life"
The glow starts again.
"You will be shown
How I've become..."
Flashes in several directions accompany the song's title word
"Indestructible"
She starts pointing her arms and gesturing, to see how much command she has over this new light.
"Determination that is incorruptible
From the other side, a terror to behold
Annihilation will be unavoidable
Every broken enemy will know
That their opponent had to be invincible
Take a last look around
While you're alive
I'm an indestructible
Master of War"
For thirty six seconds she is silent, listening to the song in her head. She realizes that the light she now wields is combatting the darkness of the night, and the evil just on the other side of the badly deteriorated wall. She figure that it's probably been neglected because of the delta radiation seeping through it. Suddenly sensing that the evil she chants against is trying to regroup, she holds out her arms and continues to sing:
"I'm Indestructible
Determination that is incorruptible
From the other side, a terror to behold
Annihilation will be unavoidable
Every broken enemy will know
That their opponent had to be invincible
Take a last look around
While you're alive
I am indestructible, indestructible"
She reaches out and plants both hands flat on the face of the wall, singing ever more loudly, commanding her light through the wall to the other side. She has no idea what she's battling. The light swirls off her fingers, along and through the wall.
"Indestructible
Determination that is incorruptible
From the other side, a terror to behold
Annihilation will be unavoidable
Every broken enemy will know
That their opponent had to be invincible"
The light is somehow repairing the wall in front of her. She spreads her arms wide in front of the wall, commanding her light to repair the entire height in front of her.
"Take a last look around
While you're alive
I'm an indestructible
Master of War"
On the other side of the wall is a frustrated and mortally injured Hogosho, a modern evolution of the ancient Guardian, Tatakai could so easily defeat on the wing with BFGs and rocket launchers. This Hogosho had built in eyes, and was by her reckoning, entirely invulnerable to any weapon she had previously encountered. But she hadn't previously encountered this. She had been ramming herself against this part of the wall for well over a year, learning from the Toga that it was not inhabited on the other side. She thought the Haibane were harmless, especially these little girls, scared not just of the wall itself, but of the woods between it and their home. The Hogosho had been looking forward to a feathery snack, curious as to how similar they might be to the extinct Featherwing creatures that almost wiped them out at Armageddon.
She collapses, dying in front of the intact wall, twitching and groaning. She realizes as she slips out of consciousness, that there was only one power left that could have defeated her at all, let alone so easily: that of The Savior.
........
Menmo catches up to the ancient warrior first, rather surprised to see Tatakai standing there in front of the wall. Kurai is next.
"You're still here!" she cries.
Tatakai scoffs, "What? Where else would I be?"
Menmo explains, "The light we saw looked just like a Day of Flight. We thought you had left us forever. I was a little skittish because you've only been with us for two months."
Shinomi catches up, then gasps, "Oh my! They fixed it!"
Tatakai turns and asks in an almost disgusted tone, "Who's they?"
Shinomi says, "The Toga, I think."
Tatakai turns back to the wall and says, "I fixed it myself ... with help from the Savior, of course. The enemy was damaging it on the other side, so I sent some light through the wall." Then she asks Kurai, "Do you know your way around that herb garden? ... I have a nasty case of delta radiation poisoning. Something was trying to get through ... perhaps I'll never know what."
First the sounds of an ancient battle fill her ears, ancient even by the standards she was used to as a Featherwing, although today she can't help but imagine the characteristic final cry of the creature she forgets is called an "Imp" or the discharge buzz of her super-cannon [BFG 9000] The sounds of her kind flapping through the air, and the ancient cry of an airstrike warning siren.
She walks up to the wall on the other side of the West Wood, very easily keeping her bearings this cloudless night. Even without the moon, stars, and watch, she could find her way back by a series of distinctive trees she looked at for that purpose. She was compelled to come here, knowing that she was going to return. She stares purposefully at it, then begins to sing her song.
"Another mission: the powers have called me away
Another time to carry the colors again
My motivation: An oath I've sworn to defend
To win the honor of coming back home again
"No explanation will matter after we begin
Unlock the dark destroyer that's buried within
My true vocation, and now my unfortunate friend"
She defiantly points her finger at the wall, remembering, even as those ancient forces of darkness obviously won her war. No power can stand up to The Saviour.
"You will discover a war you're unable to win"
"I'll have you know
That I've become
Indestructible"
Her wings begin to glow, starting to outshine her halo ... maybe she hasn't noticed.
"Determination that is incorruptible
From the other side, a terror to behold
Annihilation will be unavoidable
Every broken enemy will know
That their opponent had to be invincible
Take a last look around
While you're alive
I'm an indestructible
Master of War"
A straight bolt of light flies straight up out of her body into the sky for a few seconds. She starts pacing back and forth in front of the wall, either ignoring or encouraged by this light. It fades as she continues to sing.
"Another reason, another cause for me to fight
Another fuse uncovered for now for me to light
My dedication to all that I've sworn to protect
I carry on my orders with not a regret "
She reaches over and strokes her own wings while she continues to sing:
"A declaration embedded deep under my skin
A permanent reminder of how we began
No hesitation when I am commanding the strike
You need to know that you're in for the fight of your life"
The glow starts again.
"You will be shown
How I've become..."
Flashes in several directions accompany the song's title word
"Indestructible"
She starts pointing her arms and gesturing, to see how much command she has over this new light.
"Determination that is incorruptible
From the other side, a terror to behold
Annihilation will be unavoidable
Every broken enemy will know
That their opponent had to be invincible
Take a last look around
While you're alive
I'm an indestructible
Master of War"
For thirty six seconds she is silent, listening to the song in her head. She realizes that the light she now wields is combatting the darkness of the night, and the evil just on the other side of the badly deteriorated wall. She figure that it's probably been neglected because of the delta radiation seeping through it. Suddenly sensing that the evil she chants against is trying to regroup, she holds out her arms and continues to sing:
"I'm Indestructible
Determination that is incorruptible
From the other side, a terror to behold
Annihilation will be unavoidable
Every broken enemy will know
That their opponent had to be invincible
Take a last look around
While you're alive
I am indestructible, indestructible"
She reaches out and plants both hands flat on the face of the wall, singing ever more loudly, commanding her light through the wall to the other side. She has no idea what she's battling. The light swirls off her fingers, along and through the wall.
"Indestructible
Determination that is incorruptible
From the other side, a terror to behold
Annihilation will be unavoidable
Every broken enemy will know
That their opponent had to be invincible"
The light is somehow repairing the wall in front of her. She spreads her arms wide in front of the wall, commanding her light to repair the entire height in front of her.
"Take a last look around
While you're alive
I'm an indestructible
Master of War"
On the other side of the wall is a frustrated and mortally injured Hogosho, a modern evolution of the ancient Guardian, Tatakai could so easily defeat on the wing with BFGs and rocket launchers. This Hogosho had built in eyes, and was by her reckoning, entirely invulnerable to any weapon she had previously encountered. But she hadn't previously encountered this. She had been ramming herself against this part of the wall for well over a year, learning from the Toga that it was not inhabited on the other side. She thought the Haibane were harmless, especially these little girls, scared not just of the wall itself, but of the woods between it and their home. The Hogosho had been looking forward to a feathery snack, curious as to how similar they might be to the extinct Featherwing creatures that almost wiped them out at Armageddon.
She collapses, dying in front of the intact wall, twitching and groaning. She realizes as she slips out of consciousness, that there was only one power left that could have defeated her at all, let alone so easily: that of The Savior.
........
Menmo catches up to the ancient warrior first, rather surprised to see Tatakai standing there in front of the wall. Kurai is next.
"You're still here!" she cries.
Tatakai scoffs, "What? Where else would I be?"
Menmo explains, "The light we saw looked just like a Day of Flight. We thought you had left us forever. I was a little skittish because you've only been with us for two months."
Shinomi catches up, then gasps, "Oh my! They fixed it!"
Tatakai turns and asks in an almost disgusted tone, "Who's they?"
Shinomi says, "The Toga, I think."
Tatakai turns back to the wall and says, "I fixed it myself ... with help from the Savior, of course. The enemy was damaging it on the other side, so I sent some light through the wall." Then she asks Kurai, "Do you know your way around that herb garden? ... I have a nasty case of delta radiation poisoning. Something was trying to get through ... perhaps I'll never know what."
Friday, May 29, 2009
Visions: Evacuate The Dance Floor
Latest Update: 4 August 2009
I corrected the lyrics based on this "unplugged" live version of the song, where Natalie's vocals are much clearer:
http://www.youtube.com/watch?v=3KCFbhcLrMw
The most obvious thing about the song is well, if this were to suddenly happen at your party:
http://www.flickr.com/photos/36560633@N04/3429729623/
... the song's title instruction would be followed in haste, no?
Now that I understand that last line, the "unplugged" version of the song brings up a completely different vision: that of disaster. Four years before the main story, the Featherwing Ranch clubhouse (where paraglider pilots and rocketeers gather when it is too dark to fly their devices) was struck by a tornado. Juubi's parents are the only people inside, fortunately. They call a Calgary radio station's weather hotline when they sense the tornado, but move too late to escape it. Juubi's mother is killed, his father permanently disabled. This was not inspired by the song, but has been in the story since about March, two months before Evacuate was released.
It is on Youtube here ... the official music video:
Cascada Channel: http://www.youtube.com/watch?v=nouuI63FSLQ (RT)
AATW Records: http://www.youtube.com/watch?v=NTl1ajzq0bk
I want to do Cascada fans a favor and put up the lyrics:
Evacuate The Dance Floor:
------------
Turn up the music, let's get out on the floor
I like to move it, come and give me some more
Watch me gettin' physical, out of control (uh)
As people watching me (uh)
I never miss a beat
Still the night, kill the lights
Feel it under your skin
Time is right, keep it tight
'Cus it's pulling you in.
Wrap it up, you can't stop
'Cus it feels like an overdose (feels like an overdose)
(Oh, Oh) Evacuate the dance floor!
(Oh, Oh) I'm infected by the sound
(Oh, Oh) Stop! This beat is killing me
Hey, Dr. DJ, let the music take me underground
(Everybody on the floor) Evacuate the dance floor!
(Oh, Oh) I'm infected by the sound
(Everybody on the floor) Stop! This beat is killing me
Hey, Dr. DJ, come burn this place right down to the ground
My body's aching to some overload (overload) [Nat echos]
Temperature's rising, I'm about to explode [Could refer to involuntary deployment of wings]
Watch me, dead intoxicated
Digging the show (uh)
It's got me hypnotized (uh)
Everybody step aside
Still the night, kill the lights
Feel it under your skin
Time is right, keep it tight
'Cus it's pulling you in-n-n-n.
Wrap it up, you can't stop
'Cus it feels like an overdose (feels like an overdose)
(Oh, Oh) Evacuate the dance floor!
(Oh, Oh) I'm infected by the sound
(Oh, Oh) Stop! This beat is killing me
Hey, Dr. DJ, let the music take me underground
(Everybody on the floor) Evacuate the dance floor
(Oh, Oh) I'm infected by the sound
(Everybody on the floor) Stop! This beat is killing me
Hey, Dr. DJ, come burn this place right down to the ground
(Come on and evacuate, feel the covers heating up) [I'm sure this refers to music, not bedding]
(Moving on it, fella, now push it to the top)
(Come on and evacuate, feel the covers heating up)
(Moving on it, fella, right you don't have to be afraid)
{Now guess who's back on a brand new track
They got everybody in the club going mad
So everybody in the back, get your back up on the wall and just shake that thang
You're crazy, you're ready, yo baby, let me see you write that thang
And drop it down low, low; Let me see you take it to the dance floor, yo!}
(Everybody in the core) Evacuate the dance floor!
(Everybody in the core) I'm infected by the sound
(Everybody on the floor) Stop! This beat is killing me
Hey, Dr. DJ, let the music take me underground
(Oh, Oh) Evacuate the dance floor!
(Oh, Oh) I'm infected by the sound
(Oh, Oh) Stop! This beat is killing me
Hey, Dr. DJ, let the music take me underground
(Everybody on the floor) Evacuate the dance floor
(Oh, Oh) I'm infected by the sound
(Everybody on the floor) Stop! This beat is killing me
Hey, Dr. DJ, come burn this place right down to the ground
I corrected the lyrics based on this "unplugged" live version of the song, where Natalie's vocals are much clearer:
http://www.youtube.com/watch?v=3KCFbhcLrMw
The most obvious thing about the song is well, if this were to suddenly happen at your party:
http://www.flickr.com/photos/36560633@N04/3429729623/
... the song's title instruction would be followed in haste, no?
Now that I understand that last line, the "unplugged" version of the song brings up a completely different vision: that of disaster. Four years before the main story, the Featherwing Ranch clubhouse (where paraglider pilots and rocketeers gather when it is too dark to fly their devices) was struck by a tornado. Juubi's parents are the only people inside, fortunately. They call a Calgary radio station's weather hotline when they sense the tornado, but move too late to escape it. Juubi's mother is killed, his father permanently disabled. This was not inspired by the song, but has been in the story since about March, two months before Evacuate was released.
It is on Youtube here ... the official music video:
Cascada Channel: http://www.youtube.com/watch?v=nouuI63FSLQ (RT)
AATW Records: http://www.youtube.com/watch?v=NTl1ajzq0bk
I want to do Cascada fans a favor and put up the lyrics:
Evacuate The Dance Floor:
------------
Turn up the music, let's get out on the floor
I like to move it, come and give me some more
Watch me gettin' physical, out of control (uh)
As people watching me (uh)
I never miss a beat
Still the night, kill the lights
Feel it under your skin
Time is right, keep it tight
'Cus it's pulling you in.
Wrap it up, you can't stop
'Cus it feels like an overdose (feels like an overdose)
(Oh, Oh) Evacuate the dance floor!
(Oh, Oh) I'm infected by the sound
(Oh, Oh) Stop! This beat is killing me
Hey, Dr. DJ, let the music take me underground
(Everybody on the floor) Evacuate the dance floor!
(Oh, Oh) I'm infected by the sound
(Everybody on the floor) Stop! This beat is killing me
Hey, Dr. DJ, come burn this place right down to the ground
My body's aching to some overload (overload) [Nat echos]
Temperature's rising, I'm about to explode [Could refer to involuntary deployment of wings]
Watch me, dead intoxicated
Digging the show (uh)
It's got me hypnotized (uh)
Everybody step aside
Still the night, kill the lights
Feel it under your skin
Time is right, keep it tight
'Cus it's pulling you in-n-n-n.
Wrap it up, you can't stop
'Cus it feels like an overdose (feels like an overdose)
(Oh, Oh) Evacuate the dance floor!
(Oh, Oh) I'm infected by the sound
(Oh, Oh) Stop! This beat is killing me
Hey, Dr. DJ, let the music take me underground
(Everybody on the floor) Evacuate the dance floor
(Oh, Oh) I'm infected by the sound
(Everybody on the floor) Stop! This beat is killing me
Hey, Dr. DJ, come burn this place right down to the ground
(Come on and evacuate, feel the covers heating up) [I'm sure this refers to music, not bedding]
(Moving on it, fella, now push it to the top)
(Come on and evacuate, feel the covers heating up)
(Moving on it, fella, right you don't have to be afraid)
{Now guess who's back on a brand new track
They got everybody in the club going mad
So everybody in the back, get your back up on the wall and just shake that thang
You're crazy, you're ready, yo baby, let me see you write that thang
And drop it down low, low; Let me see you take it to the dance floor, yo!}
(Everybody in the core) Evacuate the dance floor!
(Everybody in the core) I'm infected by the sound
(Everybody on the floor) Stop! This beat is killing me
Hey, Dr. DJ, let the music take me underground
(Oh, Oh) Evacuate the dance floor!
(Oh, Oh) I'm infected by the sound
(Oh, Oh) Stop! This beat is killing me
Hey, Dr. DJ, let the music take me underground
(Everybody on the floor) Evacuate the dance floor
(Oh, Oh) I'm infected by the sound
(Everybody on the floor) Stop! This beat is killing me
Hey, Dr. DJ, come burn this place right down to the ground
Wednesday, May 20, 2009
Remix: The Hogosho
Featherwing Love vs. Doom 3 vs. Haibane Remix
Opening Song: http://featherwinglove.blogspot.com/2009/05/visions-precious-child.html
First Chapter: http://featherwinglove.blogspot.com/2009/05/featherwing-vs-haibane-vs-doom-3-remix.html
DISCLAIMER: References to features of religions or faith beliefs do not necessarily mean that the authors, Terry Wilson, Matthew Costello, and Yoshitoshi ABe (or anyone else for that matter), take them seriously. All characters featured are new; none appear in either FWL, Doom 3, or Haibane Renmei. Also, don't forget that this is a work of fiction, not prophecy. This story was written by Terry Wilson, who makes no copyright claims against the concepts of the other authors. This work will never be commercially published without the permission of the copyright holders for all three worlds.
She flies over the nameless battlefield, Tatakai dreams, still unable to remember her old name, nor those of any of her colleagues. She took off that evening to tackle an enormous monster that was threatening a village, had cut off its evacuation route. The enemy she fights against has no qualms about wiping out whole camps of refugees. She flies. She is supporting a squad who are armed with rifles. She is armed to the claws for this one. She has a rocket launcher on each of her grey wings and in her hands is the super-cannon she remembered dying with in her cocoon dream. (BFG 9000) In this memory, she does not remember the name of the beast, but somehow winds up refering to it as "Hogosho" (Japanese for Guardian, the beast is of the type you need to defeat in Doom 3 to rescue the Soul Cube.)
There are several types of monsters on the ground, but the most dangerous to her squad, as well as being the easiest to take on the wing, are the enormous Bushi no Shito (Hellknight), which throw green fireballs capable of blowing a marine armored car to pieces. There's only eight of them, she thinks. Smaller, but far more dangerous, are the commandos with the chain guns. Watching their tracers trying to find her, she cuts loose a pair of her rockets and goes into a harsh right roll. Her team's sniper concentrates on them from a distance, switching ammo types with a big straight pull handle (this weapon does not exist in Doom 3.) She hears over the device she forgets is called a "radio" that his position has been compromized, and that he is in range of the Bushi fireballs. She comes in low over the field, able to line up four of the beasts, who are too busy dealing with her sniper friend to notice her. She empties her eight remaining rockets into the beasts, and lets loose a broadside quarter strength blast from her large cannon.
She lands in the midst of her squad, two of her colleagues nursing wounds that burn instead of bleed. She pops the bottle out of her super-cannon while slashing one of the small orange-fireball throwers (Imp) with her left alula claw. A colleague reloads her rocket launchers for her, anxious to see her back in the sky. Two others cap what basically amount to nearly harmless flying headlights, the Hogosho's Sakigake (Seeker). She taps a rifleman with a primary, telling him to spare the little creature for a few seconds while she slams home a replacement bottle in the left side of her super-cannon.
"Tora! Tora! Tora!" she screams as she runs several paces in the direction of the Hogosho. Her rifle colleague shoots the Sakigake creature, which goes dim and drops. The Hogosho calls for more as Tatakai lifts off, getting her alula claws back into her rocket launcher trigger loops. Flapping to gain altitude, she clears over sheets of fireballs emanating from the beast. The Hogosho's portal opens up as she charges her super-cannon. The Hogosho sees her way too late, rising high over its horizon in the angriest shade of flourescent green. Too late to change its mind over the portal it has opened above itself, the almost blind creature is almost totally unaware of anything other than Tatakai without its seeker. The green fireball separates from from Tatakai's super-cannon, which she then lets go of because it is too hot for her hands, letting it dangle from a lanyard she doesn't release in this flight. Six rockets pass the fireball on their way to the glowing blue portal above the Hogosho. She screams the name of a fallen friend, so silent is her voice in the dream. Tatakai the Haibane can feel the loss and rage of Tatakai the Featherwing in her mysterious dream.
The Hogosho screams as its portal is destroyed. It falls down and comes apart into flaming bits. Tatakai lands next to her sniper colleague, now deceased, his body torn apart by one of the smaller creatures. "Saviour!, we need you now!!" she cries as she surveys the human smithereens that used to be her marine squad. Without time enough to rest, hardly mourn, she raises the sniper's rifle to her shoulder and starts using it immediately, her super-cannon still too hot from the Hogosho.
Tatakai wakes from her dream in her room in the town of Glie, lying on her face, her small white wings spread from her shoulders. She has cut into her simple white gown, openings for the wings she had in her previous life. In gratitude, in mourning, or perhaps, just in case. Even she isn't so sure.
"Eight hours exactly," Kurai remarks dryly.
Tatakai, folds her new wings over her back, then sighs, Now I have time to mourn, to rest after the battle, under the altar with my friends, waiting for the Saviour's return.
She gets up, accepts Kurai's offer of hot water, which she then uses to clean her new body. As she cleans her wings, she misses a husband she can't remember, who cleaned her large grey wings for her. She misses cleaning his wings as well.
She goes up to the temple to visit the Communicator. (See Haibane Renmei Episode 3 to become familiar with the temple procedures.)
She stands there, with her bells on her wings and wrists. The old voice asks her, "You named yourself Tatakai (Battle) based on your cocoon dream? Is that correct."
Tatakai shrugs both wings. She wants to talk, ask a few questions of her own, she's really not in the mood for this silent formality that is being imposed on her.
"Really," says the old voice of the Communicator, "You need to learn to use your wings as part of your body."
Tatakai gives him a wry smile, one that says, "I'm not going to take this insult seriously." She flaps her wings once, and the bells disappear under her ventral coverts, silenced by her alula claws. Then she flaps vigorously several times, blowing leaves all around behind her. Extending both her arms, she twirls around on her feet one way, then the other, her wings making the proper movements to maneuver her if she were airborne on the wings of her previous life, a beautiful smile shines on her face, and the bells on her wrists still jingle. She pauses, facing the Communicator, flaps several times as she returns to the greeting position. With her wings fully spread, she releases the bells from her claws, bows slightly, then folds them neatly over her back in a way no other Haibane has done before.
"Impressive display," the Communicator says. Tatakai quickly extends her left wing, jiggling the bells vigorously. An emphatic "NO!" according to temple procedures.
"Explain!" he barks.
Tatakai pulls from inside her simple robe a drawing of herself in her previous life, featherwings properly deployed, in actual flight.
"You may speak," the Communicator says.
"I could really fly. I was a warrior in the last battle; killed in action. The battle must have been lost. A question please?"
The Communicator (more casual than in the Haibane Renmei series; this is not the same person), responds, "What is your question, Feather Tatakai?"
"Do you know the Saviour?" she asks, "He is why my wings are white."
Opening Song: http://featherwinglove.blogspot.com/2009/05/visions-precious-child.html
First Chapter: http://featherwinglove.blogspot.com/2009/05/featherwing-vs-haibane-vs-doom-3-remix.html
DISCLAIMER: References to features of religions or faith beliefs do not necessarily mean that the authors, Terry Wilson, Matthew Costello, and Yoshitoshi ABe (or anyone else for that matter), take them seriously. All characters featured are new; none appear in either FWL, Doom 3, or Haibane Renmei. Also, don't forget that this is a work of fiction, not prophecy. This story was written by Terry Wilson, who makes no copyright claims against the concepts of the other authors. This work will never be commercially published without the permission of the copyright holders for all three worlds.
She flies over the nameless battlefield, Tatakai dreams, still unable to remember her old name, nor those of any of her colleagues. She took off that evening to tackle an enormous monster that was threatening a village, had cut off its evacuation route. The enemy she fights against has no qualms about wiping out whole camps of refugees. She flies. She is supporting a squad who are armed with rifles. She is armed to the claws for this one. She has a rocket launcher on each of her grey wings and in her hands is the super-cannon she remembered dying with in her cocoon dream. (BFG 9000) In this memory, she does not remember the name of the beast, but somehow winds up refering to it as "Hogosho" (Japanese for Guardian, the beast is of the type you need to defeat in Doom 3 to rescue the Soul Cube.)
There are several types of monsters on the ground, but the most dangerous to her squad, as well as being the easiest to take on the wing, are the enormous Bushi no Shito (Hellknight), which throw green fireballs capable of blowing a marine armored car to pieces. There's only eight of them, she thinks. Smaller, but far more dangerous, are the commandos with the chain guns. Watching their tracers trying to find her, she cuts loose a pair of her rockets and goes into a harsh right roll. Her team's sniper concentrates on them from a distance, switching ammo types with a big straight pull handle (this weapon does not exist in Doom 3.) She hears over the device she forgets is called a "radio" that his position has been compromized, and that he is in range of the Bushi fireballs. She comes in low over the field, able to line up four of the beasts, who are too busy dealing with her sniper friend to notice her. She empties her eight remaining rockets into the beasts, and lets loose a broadside quarter strength blast from her large cannon.
She lands in the midst of her squad, two of her colleagues nursing wounds that burn instead of bleed. She pops the bottle out of her super-cannon while slashing one of the small orange-fireball throwers (Imp) with her left alula claw. A colleague reloads her rocket launchers for her, anxious to see her back in the sky. Two others cap what basically amount to nearly harmless flying headlights, the Hogosho's Sakigake (Seeker). She taps a rifleman with a primary, telling him to spare the little creature for a few seconds while she slams home a replacement bottle in the left side of her super-cannon.
"Tora! Tora! Tora!" she screams as she runs several paces in the direction of the Hogosho. Her rifle colleague shoots the Sakigake creature, which goes dim and drops. The Hogosho calls for more as Tatakai lifts off, getting her alula claws back into her rocket launcher trigger loops. Flapping to gain altitude, she clears over sheets of fireballs emanating from the beast. The Hogosho's portal opens up as she charges her super-cannon. The Hogosho sees her way too late, rising high over its horizon in the angriest shade of flourescent green. Too late to change its mind over the portal it has opened above itself, the almost blind creature is almost totally unaware of anything other than Tatakai without its seeker. The green fireball separates from from Tatakai's super-cannon, which she then lets go of because it is too hot for her hands, letting it dangle from a lanyard she doesn't release in this flight. Six rockets pass the fireball on their way to the glowing blue portal above the Hogosho. She screams the name of a fallen friend, so silent is her voice in the dream. Tatakai the Haibane can feel the loss and rage of Tatakai the Featherwing in her mysterious dream.
The Hogosho screams as its portal is destroyed. It falls down and comes apart into flaming bits. Tatakai lands next to her sniper colleague, now deceased, his body torn apart by one of the smaller creatures. "Saviour!, we need you now!!" she cries as she surveys the human smithereens that used to be her marine squad. Without time enough to rest, hardly mourn, she raises the sniper's rifle to her shoulder and starts using it immediately, her super-cannon still too hot from the Hogosho.
Tatakai wakes from her dream in her room in the town of Glie, lying on her face, her small white wings spread from her shoulders. She has cut into her simple white gown, openings for the wings she had in her previous life. In gratitude, in mourning, or perhaps, just in case. Even she isn't so sure.
"Eight hours exactly," Kurai remarks dryly.
Tatakai, folds her new wings over her back, then sighs, Now I have time to mourn, to rest after the battle, under the altar with my friends, waiting for the Saviour's return.
She gets up, accepts Kurai's offer of hot water, which she then uses to clean her new body. As she cleans her wings, she misses a husband she can't remember, who cleaned her large grey wings for her. She misses cleaning his wings as well.
She goes up to the temple to visit the Communicator. (See Haibane Renmei Episode 3 to become familiar with the temple procedures.)
She stands there, with her bells on her wings and wrists. The old voice asks her, "You named yourself Tatakai (Battle) based on your cocoon dream? Is that correct."
Tatakai shrugs both wings. She wants to talk, ask a few questions of her own, she's really not in the mood for this silent formality that is being imposed on her.
"Really," says the old voice of the Communicator, "You need to learn to use your wings as part of your body."
Tatakai gives him a wry smile, one that says, "I'm not going to take this insult seriously." She flaps her wings once, and the bells disappear under her ventral coverts, silenced by her alula claws. Then she flaps vigorously several times, blowing leaves all around behind her. Extending both her arms, she twirls around on her feet one way, then the other, her wings making the proper movements to maneuver her if she were airborne on the wings of her previous life, a beautiful smile shines on her face, and the bells on her wrists still jingle. She pauses, facing the Communicator, flaps several times as she returns to the greeting position. With her wings fully spread, she releases the bells from her claws, bows slightly, then folds them neatly over her back in a way no other Haibane has done before.
"Impressive display," the Communicator says. Tatakai quickly extends her left wing, jiggling the bells vigorously. An emphatic "NO!" according to temple procedures.
"Explain!" he barks.
Tatakai pulls from inside her simple robe a drawing of herself in her previous life, featherwings properly deployed, in actual flight.
"You may speak," the Communicator says.
"I could really fly. I was a warrior in the last battle; killed in action. The battle must have been lost. A question please?"
The Communicator (more casual than in the Haibane Renmei series; this is not the same person), responds, "What is your question, Feather Tatakai?"
"Do you know the Saviour?" she asks, "He is why my wings are white."
Friday, May 15, 2009
Haibane Doom 3 Remix Chapter 2
This is chapter 2 (The third post) of the Featherwing Love vs. Doom 3 vs. Haibane Renmei Remix by Terry Wilson.
The Opening Song is located at http://featherwinglove.blogspot.com/2009/05/visions-precious-child.html
Chapter 1 is located at: http://featherwinglove.blogspot.com/2009/05/featherwing-vs-haibane-vs-doom-3-remix.html
Next Chapter, "Hogosho": http://featherwinglove.blogspot.com/2009/05/remix-hogosho.html
DISCLAIMER: References to features of religions or faith beliefs do not necessarily mean that the authors, Terry Wilson, Matthew Costello, and Yoshitoshi ABe (or anyone else for that matter), take them seriously. All characters featured are new; none appear in either FWL, Doom 3, or Haibane Renmei. Also, don't forget that this is a work of fiction, not prophecy.
This story was written by Terry Wilson, who makes no copyright claims against the concepts of the other authors. This work will never be commercially published without the permission of the copyright holders for all three worlds.
She stirs. My wings? she thinks. She props herself up on her arms. They hurt. She moans.
"Tatakai?" Kurai starts to ask.
"Remembering," she says, "that I'm a Haibane now, not what I was before. What does your name mean?"
"Gloomy," her host says, "I was in a forest at night in my dream, crying. I don't remember what I was crying over." She turns to her, "Tatakai, you are one weird Haibane. No Haibane has ever slept exactly eight hours, to the second on her first night. And ... you snore like a sawmill. How would you hide from your enemies with a racket like that?"
"I don't remember if I ever slept in my enemy's presence," she sighs, "I guess they told you about me, huh?"
"Of course," Menmo says.
"You didn't sleep?" Tatakai asks.
"How could we," says Shinomi, "through all that racket? I didn't think a Haibane could be that loud on purpose."
Kurai chuckles, "You are one strange Haibane, Tatakai."
"Really?" she says, sitting up and looking around.
"Really!", Kurai says, "For starters, your wings are pure white, which is the first time ever. Haibane means ash feather, our wings have alway been gray, always. And, they've never been so big. Your first task will have to be to make your own wing covers, we don't have any that fit you. Anyway, down to business."
Kurai opens the smoking mould with Tatakai's new halo. She places it over her head with tongs. "Feather Tatakai," she says warmly, "To be a guide to your future as a Haibane, I give you this halo."
Tatakai says, "are you sure about this?"
"Of course," Kurai says, letting go of the halo. It falls like any ordinary object right on Tatakai's head.
"Ow!" she cries, throwing it away with her fingers, which she then sucks on because of the burn.
Other things drop. Kurai's lower jaw, her arms, and her tongs, in that order. The halo on the floor still glows. "Another first," she gasps, "Halos fall from the the heads of new Haibane often, but around, at the least ... I've never seen one not even try."
"Let it cool, then we try again," says Tatakai. "Any other firsts?"
Menmo says, "Until you, cocoons never hatched in winter," waving her hands for emphasis, "not even once, and also ... you hatched on a Saturday, Tatakai. That is the first time such things have ever happened. [1]"
"What? Oh, no," Tatakai gasps, "That's never supposed to happen, is it?"
Shimoni answers, "Well, I'm not sure about supposed to, only that it has never happened before."
"Tell me, where am I? You said town of Glie when we first met in the North Wing?" Tatakai begs.
"Yes," answers Menmo, "Haibane are not allowed to leave the town, or even approach its walls, only the Toga are free to come and go, and while in town, they never speak or show their faces. Only the Communicator is allowed to talk to them, and usually they sign in a secret language with their hands."
"Walls? Not allowed to leave?" Tatakai gasps, "is this a prison camp?"
Kurai answers this time. "No," she sighs. "It may seem so at times, but really it is a haven," there is evil outside the walls," she explains, "even to touch the walls could mean death, only herbs from the Haibane Temple can cure the resulting sickness."
"Sickness?" Tatakai asks, "what kind of sickness."
Shimoni explains, "Nobody knows. You'd feel cold, numb, unable to feel your wings, toes or fingers. You feel fine otherwise, but freezing cold to someone who touches or comes near you ... then you run a high fever you die from without treatment."
Tatakai gasps, "Delta radiation? Oh no!"
Kurai scoffs, "Radiation! Never heard of it."
"Tell me, Menmo," Tatakai asks, "Who rules Glie?"
Menmo looks at the other two, all three Haibane just shrug, "We answer to the Communicator in the temple."
Tatakai, increasingly distraught begs, "Is there a man ... a man with holes in his hands and in his feet, white hair, fiery eyes, a voice that sounds like a waterfall, a glowing face, words that cut like a dagger, feet that glow like bronze? Is there anyone like that, anywhere?"
Again, the Haibane Remnei shrug.
"Such flights of fancy," Kurai mutters, "You remember that much from before your past?"
Tatakai cries, "I read about him in a sacred text [2], he's supposed to be here. He saved the world! Savior!" she wails, "Why are you taking so long? [3]"
Menmo says, "You can't remember his name, can you?"
Tatakai shakes her head, "But ... I knew him, where did he go? Savior!" she puts her head in her hands and cries. "Glie is all that's left, isn't it? The rest of the world is a wasteland because the battle I died in before coming here was lost."
She notices what she's wearing, the plain white robe that she emerged from the cocoon in. "I know now," she sighs, "I just have to be patient, don't I? [4]"
At those words Kurai again picks up the fallen halo with the tongs and places it over Tatakai's head. When she lets go, it stays there.
"How many Haibane are there?" she asks.
Menmo answers, "Well, there are more in the Abandoned Factory, but here, there is just us four Elder Feathers plus ... what is it, thirteen?" she turns to Shimoni.
"Fourteen Young Feathers," Shimoni answers.
"A total of 18 Haibane in Old Home?" Tatakai asks.
They nod.
"Good!" Tatakai nearly cheers, "We can tear down that North Wing and use its pieces to build houses that will actually last and be comfortable."
Next Chapter: http://featherwinglove.blogspot.com/2009/05/remix-hogosho.html
Author's Notes:
[1] Matthew 24:20
[2] Revelation 1:9-16
[3] Revelation 6:10
[4] Revelation 6:11
[7 June: Fixed misspellings of "Menmo"]
The Opening Song is located at http://featherwinglove.blogspot.com/2009/05/visions-precious-child.html
Chapter 1 is located at: http://featherwinglove.blogspot.com/2009/05/featherwing-vs-haibane-vs-doom-3-remix.html
Next Chapter, "Hogosho": http://featherwinglove.blogspot.com/2009/05/remix-hogosho.html
DISCLAIMER: References to features of religions or faith beliefs do not necessarily mean that the authors, Terry Wilson, Matthew Costello, and Yoshitoshi ABe (or anyone else for that matter), take them seriously. All characters featured are new; none appear in either FWL, Doom 3, or Haibane Renmei. Also, don't forget that this is a work of fiction, not prophecy.
This story was written by Terry Wilson, who makes no copyright claims against the concepts of the other authors. This work will never be commercially published without the permission of the copyright holders for all three worlds.
She stirs. My wings? she thinks. She props herself up on her arms. They hurt. She moans.
"Tatakai?" Kurai starts to ask.
"Remembering," she says, "that I'm a Haibane now, not what I was before. What does your name mean?"
"Gloomy," her host says, "I was in a forest at night in my dream, crying. I don't remember what I was crying over." She turns to her, "Tatakai, you are one weird Haibane. No Haibane has ever slept exactly eight hours, to the second on her first night. And ... you snore like a sawmill. How would you hide from your enemies with a racket like that?"
"I don't remember if I ever slept in my enemy's presence," she sighs, "I guess they told you about me, huh?"
"Of course," Menmo says.
"You didn't sleep?" Tatakai asks.
"How could we," says Shinomi, "through all that racket? I didn't think a Haibane could be that loud on purpose."
Kurai chuckles, "You are one strange Haibane, Tatakai."
"Really?" she says, sitting up and looking around.
"Really!", Kurai says, "For starters, your wings are pure white, which is the first time ever. Haibane means ash feather, our wings have alway been gray, always. And, they've never been so big. Your first task will have to be to make your own wing covers, we don't have any that fit you. Anyway, down to business."
Kurai opens the smoking mould with Tatakai's new halo. She places it over her head with tongs. "Feather Tatakai," she says warmly, "To be a guide to your future as a Haibane, I give you this halo."
Tatakai says, "are you sure about this?"
"Of course," Kurai says, letting go of the halo. It falls like any ordinary object right on Tatakai's head.
"Ow!" she cries, throwing it away with her fingers, which she then sucks on because of the burn.
Other things drop. Kurai's lower jaw, her arms, and her tongs, in that order. The halo on the floor still glows. "Another first," she gasps, "Halos fall from the the heads of new Haibane often, but around, at the least ... I've never seen one not even try."
"Let it cool, then we try again," says Tatakai. "Any other firsts?"
Menmo says, "Until you, cocoons never hatched in winter," waving her hands for emphasis, "not even once, and also ... you hatched on a Saturday, Tatakai. That is the first time such things have ever happened. [1]"
"What? Oh, no," Tatakai gasps, "That's never supposed to happen, is it?"
Shimoni answers, "Well, I'm not sure about supposed to, only that it has never happened before."
"Tell me, where am I? You said town of Glie when we first met in the North Wing?" Tatakai begs.
"Yes," answers Menmo, "Haibane are not allowed to leave the town, or even approach its walls, only the Toga are free to come and go, and while in town, they never speak or show their faces. Only the Communicator is allowed to talk to them, and usually they sign in a secret language with their hands."
"Walls? Not allowed to leave?" Tatakai gasps, "is this a prison camp?"
Kurai answers this time. "No," she sighs. "It may seem so at times, but really it is a haven," there is evil outside the walls," she explains, "even to touch the walls could mean death, only herbs from the Haibane Temple can cure the resulting sickness."
"Sickness?" Tatakai asks, "what kind of sickness."
Shimoni explains, "Nobody knows. You'd feel cold, numb, unable to feel your wings, toes or fingers. You feel fine otherwise, but freezing cold to someone who touches or comes near you ... then you run a high fever you die from without treatment."
Tatakai gasps, "Delta radiation? Oh no!"
Kurai scoffs, "Radiation! Never heard of it."
"Tell me, Menmo," Tatakai asks, "Who rules Glie?"
Menmo looks at the other two, all three Haibane just shrug, "We answer to the Communicator in the temple."
Tatakai, increasingly distraught begs, "Is there a man ... a man with holes in his hands and in his feet, white hair, fiery eyes, a voice that sounds like a waterfall, a glowing face, words that cut like a dagger, feet that glow like bronze? Is there anyone like that, anywhere?"
Again, the Haibane Remnei shrug.
"Such flights of fancy," Kurai mutters, "You remember that much from before your past?"
Tatakai cries, "I read about him in a sacred text [2], he's supposed to be here. He saved the world! Savior!" she wails, "Why are you taking so long? [3]"
Menmo says, "You can't remember his name, can you?"
Tatakai shakes her head, "But ... I knew him, where did he go? Savior!" she puts her head in her hands and cries. "Glie is all that's left, isn't it? The rest of the world is a wasteland because the battle I died in before coming here was lost."
She notices what she's wearing, the plain white robe that she emerged from the cocoon in. "I know now," she sighs, "I just have to be patient, don't I? [4]"
At those words Kurai again picks up the fallen halo with the tongs and places it over Tatakai's head. When she lets go, it stays there.
"How many Haibane are there?" she asks.
Menmo answers, "Well, there are more in the Abandoned Factory, but here, there is just us four Elder Feathers plus ... what is it, thirteen?" she turns to Shimoni.
"Fourteen Young Feathers," Shimoni answers.
"A total of 18 Haibane in Old Home?" Tatakai asks.
They nod.
"Good!" Tatakai nearly cheers, "We can tear down that North Wing and use its pieces to build houses that will actually last and be comfortable."
Next Chapter: http://featherwinglove.blogspot.com/2009/05/remix-hogosho.html
Author's Notes:
[1] Matthew 24:20
[2] Revelation 1:9-16
[3] Revelation 6:10
[4] Revelation 6:11
[7 June: Fixed misspellings of "Menmo"]
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